..not Constantinople, now.
..not Constantinople, now.
An excellent and thoughtful antidote to the typical 'cruise brochure' emulations I was expecting. Urban 'underbelly' shots like these have formal beauty, as well as offering social critique.
The shots I think have the most 'power' are those where you have managed to place the decay and dereliction in a deliberate formal relationship with recognisable signifiers of Istanbul. Juxtapositions such as these, if placed at points throughout your final sequence of images, will provide the required contextual thread for your narrative.
Of course, one would be careful of 'over-egging' the piece, but I would expect perhaps a third of the final sequence to have such set pieces as anchor points.
An approach with such juxtapositions could be to set up sumptuous, highly-saturated colour images of recognisable motifs within areas of the city, but to look for and include subversive elements of decay within the given frame. This might not fit with your apparent style, though, which I suppose one would say is more of a formalist approach.
Looking forward to seeing how this piece develops.
Regards,
Crane