Godfrey
somewhat colored
Polaroid Spectra SE and Minolta Instant Pro
G
G
Peter_S
Peter_S
off to a wedding in Poland with a Bessa III, a Rolleiflex 3.5F, and some Fuji 400H and Ilford FP4+.
unixrevolution
Well-known
Just at work 
M2, Bessa R2, Voigtlander 35/2.5, Leica Summitar 50mm f/2 collapsible, Canon 85 f/2 Serenar, Yashica Electro 35 GSN (Thrift rescue.)
And of course, the RX100.
M2, Bessa R2, Voigtlander 35/2.5, Leica Summitar 50mm f/2 collapsible, Canon 85 f/2 Serenar, Yashica Electro 35 GSN (Thrift rescue.)
And of course, the RX100.
hausen
Well-known
Hasselblad 903SWC. We have been inseparable since she arrived 10 days ago.
biomed
Veteran
Panasonic GX7 and PL 25/1.4 - I like this combo!
Carterofmars
Well-known
Minolta X-700 with a 1.7 lens.
Robert Lai
Well-known
I've been using a lot of LTM gear lately - Leica IIIF, IIIG, Canon 7s, Bessa R. Yesterday I picked up my Nikon F2 after a long period of disuse. Wow, SLRs can take photographs!
raid
Dad Photographer
M8 with original Nokton 50/1.5 and 35 Lux.
Godfrey
somewhat colored
Just put down my Olympus E-M1.
G
G
ellisson
Well-known
Out shooting today with the M8 and a few lenses. I don't usually attempt to shoot birds with an RF camera - thats for my autofocus DSLR and 560mm effective length (400mm + 1.4x teleconverter) lens. But some blue jays were within 30-40 feet at a local park's bird feeders, so I tried the M8 with 90 mm elmarit. Its the best I had with me! The guy next to me had his canon DSLR and a 500mm telephoto prime.
Needless to say, I got small images of small birds with 90mm at this distance. But sharpness and color were very good, so I'll see what I get with major cropping.
Needless to say, I got small images of small birds with 90mm at this distance. But sharpness and color were very good, so I'll see what I get with major cropping.
Chrisrw
photomonkey
OM1n.
Soon to switch to my DP2M for a trip to Oregon coast this week. Well, I'll bring the OM1 as well to finish off the roll ;-)
Soon to switch to my DP2M for a trip to Oregon coast this week. Well, I'll bring the OM1 as well to finish off the roll ;-)
Mr_Flibble
In Tabulas Argenteas Refero
Carrying this today

menos
Veteran
Sweet combination! You are shooting with the helmet on?
Sid836
Well-known
A Zorki-10 with Ilford P4 film in it. I have it for many years, but never tried it with film. Half of the film will go through auto-exposure, and the rest manually at 1/30 and what ever aperture per condition.
Fingers crossed!
Fingers crossed!
Mr_Flibble
In Tabulas Argenteas Refero
Sweet combination! You are shooting with the helmet on?
These days you can't have enough protection.
The lens is one of Brian Sweeney's 50mm f/1.5 Sonnars in a Jupiter-3 mount.
Ronny
Well-known
Nikon F2 with DE-1 and some old Nikkors non AI.
Very Nice Camera.
Very Nice Camera.
AndersG
Well-known
Today a Canon 7 with Canon 50mm f/1.4 lens and a FED 2 with a Jupiter 12 and a FSU turret finder, both cameras loaded with Tri-X.
David Hughes
David Hughes
menos
Veteran
These days you can't have enough protection.
The lens is one of Brian Sweeney's 50mm f/1.5 Sonnars in a Jupiter-3 mount.
Haha ;-)
It is actually interesting how huge the Sonnar looks on the III body!
(for people who have never held a 50 Sonnar in their hands - this 50/1.5 lens is TINY)
Mr_Flibble
In Tabulas Argenteas Refero
You should see the Sonnar 85 f/2 / Jupiter-9 
The helmet is a reproduction of a World War 2 T-14 Photographer Helmet, based on the regular M1 Helmet. In June 1944 reports on equipment mentioned that the US Army Signal Company Photographers couldn't wear their helmets when operating some equipment. The Army Pictoral Service Staff came up with this design and permission was granted by G-4, The European Theater of Operation staff and the Chief of Ordnance for a 100 of these to be made and sent to frontline units. Apparently they were completed and distributed within a week of receiving the request.
Best known example is the photo of Lee Miller wearing one.
The helmet is a reproduction of a World War 2 T-14 Photographer Helmet, based on the regular M1 Helmet. In June 1944 reports on equipment mentioned that the US Army Signal Company Photographers couldn't wear their helmets when operating some equipment. The Army Pictoral Service Staff came up with this design and permission was granted by G-4, The European Theater of Operation staff and the Chief of Ordnance for a 100 of these to be made and sent to frontline units. Apparently they were completed and distributed within a week of receiving the request.
Best known example is the photo of Lee Miller wearing one.
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