What have you just BOUGHT?

They come in black and chrome? Oh yeah. Of course I need one of each.🤣
I still have a very soft spot for the MX - as a teen I spent a whole lot of money on a pair of them with motors (winders?) but then had to sell them to go Nikon a year or so later when I got my first news job - I needed access to pool lenses.
 
I still have a very soft spot for the MX - as a teen I spent a whole lot of money on a pair of them with motors (winders?) but then had to sell them to go Nikon a year or so later when I got my first news job - I needed access to pool lenses.
I have a lot of Pentax film bodies. A pristine old K, these two Mx’s, two LX’s, a KX an ME super and a 110 super. Only Nikon I have (not counting rangefinders) is the black F2 I just got and haven’t ran film through yet.
 
These seem to be multiplying…

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Canon FT with a 28mm f/2.8 Soligor and a Canon 50mm f/1.4 FL (second version). Also included an original instruction manual. $20 CDN. Thought that was a good price. Everything works including the meter.

In a weird way I prefer this to the FTb.
I love the FL bodies and lenses. Very well made and I like the OM/Leica aperture ring mounted on the front. Real sleepers.
 
These seem to be multiplying…

View attachment 4874042

View attachment 4874041

Canon FT with a 28mm f/2.8 Soligor and a Canon 50mm f/1.4 FL (second version). Also included an original instruction manual. $20 CDN. Thought that was a good price. Everything works including the meter.

In a weird way I prefer this to the FTb.
Find an FL 28/3.5. Very nice lens and tends to go for virtually nothing. A little "slow" with a 3.5 aperture, but that has never been a problem where I primarily use a 28mm lens (outdoors) and the rendering is so nice I ignore that "deficiency".

I have an FT as well and some days I feel like I prefer it to my "New F-1".

Chris
 
Find an FL 28/3.5. Very nice lens and tends to go for virtually nothing. A little "slow" with a 3.5 aperture, but that has never been a problem where I primarily use a 28mm lens (outdoors) and the rendering is so nice I ignore that "deficiency".

I have an FT as well and some days I feel like I prefer it to my "New F-1".

Chris
I'll keep an eye out for one -- at the moment I have two 28mm lenses for it (a Soligor and a Formula 5). Not particularly desirable but for some unexplained reason I've always had a soft spot for Soligors. Nice compact size for a 28/2.8 lens.

The only issue I seem to have with the FT is that the mirror-up function doesn't completely work. I activate the lever and it only lifts the mirror up about a quarter of the way. Not a major deal.
 
I'll keep an eye out for one -- at the moment I have two 28mm lenses for it (a Soligor and a Formula 5). Not particularly desirable but for some unexplained reason I've always had a soft spot for Soligors. Nice compact size for a 28/2.8 lens.

The only issue I seem to have with the FT is that the mirror-up function doesn't completely work. I activate the lever and it only lifts the mirror up about a quarter of the way. Not a major deal.
I got my 28/3.5 via Facebook Marketplace. The seller had a bunch of FL and FD lenses and a couple FTb bodies. Since I alread had the FT, I didn't need another body. The lens I wanted from the listing was already sold, but the 28/3.5 was sitting there practically NIB inside the original storage case. I picked it up for $40. I knew I had a keeper when I saw how it rendered on my M43 camera. I wasn't disapointed when I shot fall foliage with the FT and Fuji Superia 400 later that year. It has an almost "3d" rendering with the right scenery.

The mirror lock up is probably an easy fix as part of a CLA. I've used mine maybe twice (and about the same number of times on the OM1 I owned for a decade), so probably wouldn't bother as long as everything else is working.

Chris
 
Love the box art! "Hit" cameras weren't really a part of my childhood, though I saw them advertised in comic books, and once in the 1970s, even in a vending machine. Perhaps someday I'll see if I can run 16 mm film through it, as I previously built a 16 mm / Minox film slitter.
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So THAT'S how they get the pictures for postage stamps ...
 
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