Darinwc
Not left handed
Sorry about your Lomo. It seems purchases from them are hit or miss. It is an interesting camera for sure. I bought one used and it seems to work ok.
Sorry about your Lomo. It seems purchases from them are hit or miss. It is an interesting camera for sure. I bought one used and it seems to work ok.
What software are you driving it with?Running test scans on my recently purchased Nikon LS-50 with SA-21 negative feeder, so far so good. Sure more than a few people will think I'm crazy for buying a scanner this old but the price was reasonable and I'm hoping that it will last until someone decides to product a new scanner with an equal set of features such as true 4000 DPI scanning resolution, auto feed and auto focus.
Using Vuescan on MAC OS as that what I've been using for my other scanners. As I don't currently own any digital cameras and the only ones I've owned in the last several years have been Leica Ms, I decided to put off considering the copy camera approach for a few years, kind of hoping the something like the Z7 will drop to under $1000 and I can combined that with a Nikon Telephoto 105mm f/4 Micro Nikkor AIS via an F-Z adaptor.What software are you driving it with?
I have the same scanner (have had it for at least 15 years now) .. NikonScan was gone from macOS an age ago so i drive the scanner with Vuescan, which does an excellent job.
Nowadays and for some years I've more frequently used a copy camera digitization approach — ever since camera with more resolution and dynamic range than the scanner became available. But i occasionally still pull out the scanner for sake of its automation.
G
copy camera approach: Equipment-wise I use, mostly, the Leica M10-R or M10 Monochrom nowadays, fitting one of several lenses via adapters (Macro-Elmarit-R 60mm f/2.8, Macro-Elmar-R 100mm f/4 + Focusing Bellows-R, Micro-Nikkor 55mm f/3.5 + M-Ring, etc) along with a Novoflex copy stand and a film holder. Occasionally, I switch to the Hasselblad 907x/CFV II 50c if color and/or dynamic range are critical, again with a range of adapted lenses including the Makro-Planar 120mm f/4 T*, the Planar 80mm f/2.8 T*, and various extension tubes.Using Vuescan on MAC OS as that what I've been using for my other scanners. As I don't currently own any digital cameras and the only ones I've owned in the last several years have been Leica Ms, I decided to put off considering the copy camera approach for a few years, kind of hoping the something like the Z7 will drop to under $1000 and I can combined that with a Nikon Telephoto 105mm f/4 Micro Nikkor AIS via an F-Z adaptor.
Thanks !copy camera approach: Equipment-wise I use, mostly, the Leica M10-R or M10 Monochrom nowadays, fitting one of several lenses via adapters (Macro-Elmarit-R 60mm f/2.8, Macro-Elmar-R 100mm f/4 + Focusing Bellows-R, Micro-Nikkor 55mm f/3.5 + M-Ring, etc) along with a Novoflex copy stand and a film holder. Occasionally, I switch to the Hasselblad 907x/CFV II 50c if color and/or dynamic range are critical, again with a range of adapted lenses including the Makro-Planar 120mm f/4 T*, the Planar 80mm f/2.8 T*, and various extension tubes.
Over the years I've simply accreted a hefty amount of various different gear so I might as well find ways to use it. For digitizing 35mm originals, you hardly need more than something like that Z7 and a good macro lens, but I have film formats from Minox subminiature to 6x9 cm, which takes a good bit more versatility to cover well.
Here's a setup I used a decade ago to capture Minox 8x11 format negatives to ~21Mpixel digital images on a 24x36 sensor (about 2.7:1 magnification) for rendering:
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Leica SL Minox Negative Capture 2016
Shows using the Leica SL with Leitz Focusing Bellows R and Summicron-R 50mm f/2 lens to capture Minox negatives. January 2016flic.kr
enjoy, G
Isn't a Z9 about the same pixel density as the Z7? Spec seems to be ~45 Mpixels. That's just a wee bit higher than the M10-R and M10 Monochrom that I'm using (nominally 40Mpixel), and I have no problems getting excellent detailing on 6x6 to 6x9 cm format film. I'm just curious as to why you'd want the Z9 over the Z7 unless it's a whole different sensor family.Thanks !
Reason for going with something like a Z9 would be to use it to scan 6x6 and 4x5 along with 35mm.
LOL honestly something like "the Z9" would include the Z7🙂. Hasselblad and Fuji Digital MF systems would also be something I'd serious look at, but all this is several years down road🙂Isn't a Z9 about the same pixel density as the Z7? Spec seems to be ~45 Mpixels. That's just a wee bit higher than the M10-R and M10 Monochrom that I'm using (nominally 40Mpixel), and I have no problems getting excellent detailing on 6x6 to 6x9 cm format film. I'm just curious as to why you'd want the Z9 over the Z7 unless it's a whole different sensor family.
The big advantage I find when I use the 50c is that the MFD sensor has much closer to a true 16bit dynamic range and can pull out a bit more from difficult negatives. Its resolution is only a little higher (50 Mpixel compared to 40 Mpixel) compared to the two Leicas.
... I guess we should segue this discussion to another thread rather than adding increasing divergent notions to the "what have you just bought" thread. 😉
G
Could of options for larger negatives. You can go with more native resolution, take multiple images and stitch them or you could go with something with a pixel shift mode which can give you more resolution, more dynamic range and full color information at every pixel.Thanks !
Reason for going with something like a Z9 would be to use it to scan 6x6 and 4x5 along with 35mm.
How do you like that lens? I’ve been considering one or the fa43 ltd. I guess that’s a little bigger though.I have re-bought after owning one in the 1980's, a Pentax 40mm 2.8 SMC M lens.

