W
wwkw
Guest
Is it true that the M240's frame lines are optimized for 2 meters?
M60
Its the only one that has some chance of holding any value. Everything else would be worthless soon.
Now, for actually using, I'd say a 240, but then, what do I know!
Michael
I think the M8 is best value: it has it's limitations, particularly around ISO, but delivers wonderful files and image quality, especially in monochrome. It's so good that I've not found its successors to offer substantive improvements for me so I've stuck with it.
On a simple price/image capability measure it has to provide the best ratio, in my opinion at least.
When I was in Iraq I loved the 240 that was mounted on my HMMWV. It's an updated M60 anyways. I hated the performance of the M9 in the desert. The sand and dust always caused that thing to jam. The favorite of everyone in my platoon was the "Ma Deuce," the M2HB. It made everyone duck when the "shutter" was actuated. I carried my own M2 and M4, both made by Leica. As for the list that Stephen posted, I've owned the RD1, M8 and M9. As a working photographer, the thing that matters for me is that the gear works. The only camera out of those three that worked without fault, was the RD1. The camera could be free but if it isn't reliable, it has no value as far as I'm concerned. Phil Forrest
I'd like to second that. Exactly my thoughts.
Yes, the M8 is indeed lighter, about the same as the film cameras. Here are the measurements according to Leica:
M8: 139x80x37 mm. 545g plus battery 41g= 586g (According to my kitchen scale it is 600 g.)
M240: 139x80x42 mm. 680 g. I don't know if that includes the battery
M7: 138x79.5x38 mm. 610 g.
MP: 138x77x38 mm. 585 g.
A cropped sensor represents no value at all, in my opinion.
In fact the whole idea to start with is rather asinine. If we want to talk about results, any $200 point and shoot can do 95% of what any Leica M(x) can do in decent light. Let's not kid ourselves here. The soccer mom with a Nikon D3200 has more technical image quality and value in her camera than an M8 or M9, if all we compare things to are the "results," given a constant photographer.
I am one of those that values the experience as much as the results, and sometimes those two things do coincide. To be frank, I have hardly shot my M9. I've shot more with my M6, but have shot 10x more with my Nikon SP. And I prefer shooting 4x5 to any 35mm camera in many situations. What has more value? What I enjoy has more value.
Would be curious to hear why?
I am actually very curious in general why "cropped" sensor is considered as something inferior to "full frame". Other than usage of 'legacy glass", which is questionable in my simple mind anyway, what else is inferior about it?
Would be curious to hear why?
I am actually very curious in general why "cropped" sensor is considered as something inferior to "full frame"....
Having shot 100,000 + on APS-C and 100,000 + on FF, the reason is pretty obvious: results.
The debate has been fought everywhere, and you can look up all the arguments. For general photography, there is no comparison. FF is of course better, and Medium format is better than full frame, but very expensive and less versatile with the lenses.
If you really want to know for your skeptical self there is only one way: shoot them both alot at the same time. Maybe you won't care about the differences. That's OK.
But you will be the exception among those with the choice. Of course the size and weight factor will trump the quality at times even among the sensible 🙂
...But copped sensors can be made to work extremely well and, albeit not on rangefinders, for some applications, the effective increase in focal length of the lenses used can be very helpful e.g sports, wildlife etc.
Seriously? Do you compare how a 28 looks with a 50 on the same body? How on earth could you ever choose which to use without comparing them?I see each (APS-C, full frame and Medium format) as its own thing, never occurred to me to compare it.
