What is your favorite B&W emulsion?

What is your favorite B&W emulsion?

  • Tri-X

    Votes: 277 33.2%
  • Tmax-400

    Votes: 53 6.4%
  • Tmax-100

    Votes: 27 3.2%
  • Tmax-3200

    Votes: 4 0.5%
  • HP5

    Votes: 126 15.1%
  • FP4

    Votes: 68 8.2%
  • Delta 400

    Votes: 23 2.8%
  • Delta 100

    Votes: 32 3.8%
  • Delta 3200

    Votes: 6 0.7%
  • Acros 400

    Votes: 23 2.8%
  • Acros 100

    Votes: 70 8.4%
  • Other

    Votes: 125 15.0%

  • Total voters
    834
This thread interests me since I am a primarily B/W photographer who is just relearning what is out there and what I like. My biggest struggle is that I also develop my own film and am also trying to learn what films work best in what developers. I use Diafine currently to get consistent results and compare/contrast the assorted films. I was having issues getting good results and grain clumping with my DD-X so I switched for the time being so the developer/developing time is not a factor as much.

I've used Ultrafine Xtreme 400 and Pro 100, Ilford PanF 50 and HP5 Plus 400 so far and have been pretty happy with all four. The Ilford films both felt 'nicer' in the hand, less flimsy stock. But all four produce decent results. This is just from my own eye and taste standpoint as a newbie (again) to the world of B/W film.

I've jotted down notes from the thread for my next purchases and hope to sample of the suggestions here. Thanks everyone for the ideas, it's nice to have such a wide range of input of seasoned photographers to get the old wallet worked into a tizzy. :D
 
Neopan 400 has been my primary film in 35mm. I usually develop in a combination of Xtol and Rodinal. I like Tri-X for 645 and 6X7 in Xtol, or TMax Developer. I need to get my main scanner up and running.
 
For 35mm, I've got a fair number of Freestyle Legacy 100 ASA 100 ft. rolls of film. As I understand it this was made by Fuji and is the Acros 100 film. I like it and also Ilford Pan F film as I have rolls of 100 ft. of this film.

The Arista (Tri X?) is a good film as well, especially considering the price.
 
I like Tri-X for now although I shoot with T-MAX 400 occasionally. I bulk roll my own film.

Recently I ordered some Eastman Kodak Double-X film. I really like the results that I saw with this film. Still waiting for it to arrive at my doorstep.
 
Tri-X 400, P3200TMZ, Neopan 100ss, 400, 1600, Agfapan APX 100, 400, PanF+ 50, basically I can find something to like about almost all of 'em - they all have different characters. I much rather be faced with the dilemma of choosing an emulsion than being a slave to photoshop trying to emulate one (lame!).
 
i scan my negatives, so inadvertently, film flatness is an attribute

that is factored in my decision on film type. The other factor is

cost because i shoot around 5 - 7 short rolls a week, each roll

with around 20 self-rolled exposures. i currently use

polypan f @ iso 100 and Kentmere 400 @ 800 iso.

both film are relatively cheap to buy and very easy to scan.

there aren't perfect, PPF tends to blow highlights as it is missing

an anti-halation layer, while kentmere is a bit too grainy in rodinal.

raytoei
 
I am trying to move away from Kodak films and really have fallen for FP4 in 120. Scans really neutral and it is gold in my Rolleiflex 3.5f.
 
Pan F and APX 100...

Pan F and APX 100...

... are my reason to vote "other".
Kentmere 400 would be another...
 
Tri-X now and expecting it to continue. I like the look, and since I use only Sunny-16, I need the exposure latitude. Much FOMAPAN 400 in storage for backup.

I also liked the look of BW400CN, but convenient processing has gotten wobbly.
 
I think my favourite was Adox CHS 100, now sadly gone so I need to work out a favourite 100 iso alternative once I've used the last of my rolls.

There is a replacement coming from Mirko at Adox, but Eastman 5222 XX has a very similar look at ISO200 and run in HC110 as the Adox 100 run in Rodinal.
 
Kodak Tri-X is the one for me. I love the look and versatility. HC-110 and Tri-X rated at ei200 is a match made in heaven. I try other films from time to time but there is nothing to beat it overall. Sure there are films that are fine grained and smooth and sharp etc, but for the overall look and tonal range, nothing beats Tri-X for me.
 
I am really loving Freestyle's Arista Premium 400... so Tri-X I guess. :)

Although I rather liked the one roll of Ilford SFX 200 I shot too.
 
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