muser53
MUSER53
I already own this camera. It is called a Leica M7 🙂
I'll take a high end Nikon SLR that uses all current F mount lenses.
I guess it depends on what your classification of 'high end' is. Leica's are expensive and well built, but they're not high end in terms of technology. The plastic AF SLR is more high end in that respect.
Probably the most advanced film camera we're going to get is the Nikon F6.
I already own this camera. It is called a Leica M7 🙂
EVF? Having a complex (not to mention bulky) system to record both analog and digital defeats the purpose. A compact camera, OVF with modern AF, highest performance short-zoom (35-70 or 28-50) or fixed FL and an f/1.2 or faster aperture, is more likely. Along with a 1/8000 sec shutter.
If it ever happens at all.
I suppose before coming out with a new film camera we are going to have to agree on a lens mount. That ought to be easy.
1. Why would an EVF be bulky? Says I as I type this on my phone which basically is a flat evf that can make calls and annoy people on rff.com. Also the evfs are tiny in m43 kameras like my Olympus PenF
However, if you have film at the film plane instead of a sensor then you would need some fairly elaborate system to have a sensor capture exactly what is projected unto the film plane for the simple reason that the film and a digital sensor can't both occupy the same space in time.
I want an iPhone 11 with a slot for Minox miniature film. 😉
Ok, not to be negative, but you do realize that it's not the same thing, right? An EVF in a digital camera is basically just a small screen that displays what the image sensor is capturing. When you press the shutter all that happens is that the information that's captured by the sensor is saved. However, if you have film at the film plane instead of a sensor then you would need some fairly elaborate system to have a sensor capture exactly what is projected unto the film plane for the simple reason that the film and a digital sensor can't both occupy the same space in time.
Larry said:The sensor would need to swing out of the way of the film plane when you snapped the shutter. I wonder if anyone has ever conceived of anything like that?
And just because I put my thinking beret on... sure there are workarounds to have both a digital sensor and film in the same body.
Let's think of the SLR format for a second. You know where the focus screen goes? Perpendicular to the film plane? Well replace that with the digital sensor, and have the film where the film always is. This version would still use a mirror to project onto the digi sensor - and the mirror could either flap out of the way so the film can be exposed, or it can be fixed and semi-transparent like in that high speed Canon film camera.
Et voila, film and digital in one body. I kinda like the TLR idea too though..
The point and shoot market seems to be a great place to start based on the prices of compact high end p&s cameras from the 90s.
......Actually, the F2 is perfect......
Phil Forrest