When color film stock can be back to normal?

Woah! I just recently finished my stock of film, which had kept me from looking at film prices for the past couple of years, and I thought my eyes were deceiving me when I started to look online to resupply my stash. Holy moly, last time I bought a pro-pack of 120 Portra 400 it was $25. I feel like Rip Van Winkle waking up in some horrible new world!

I've had a similar reaction in recent months, too. I only shoot bulk black and white so the pain isn't quite so pronounced, but it still hurts coming to the end of a 100ft roll of APX 100 and seeing the price of most 100ft rolls now. I doubt I'll be picking up HP5+ again any time soon.
 
There are those of us who enjoy using film cameras - we like how the camera looks, how it operates, the viewfinder and its displays, all the little things that make one film camera different from another. We like the process of loading film, winding it, adjusting the settings, and making the photo. For me, for example, it’s hard to describe the delight and pleasure of using pack film - pulling the tabs, separating the positive and negative sheets. I like looking at a sheet of negatives, I enjoy a well-printed image. I like the whole optical-chemical process of an image going onto the negative and onto the print - a tangible artifact of our creation.

So I’ll always buy film and use film.
 
There are those of us who enjoy using film cameras - we like how the camera looks, how it operates, the viewfinder and its displays, all the little things that make one film camera different from another. We like the process of loading film, winding it, adjusting the settings, and making the photo. For me, for example, it’s hard to describe the delight and pleasure of using pack film - pulling the tabs, separating the positive and negative sheets. I like looking at a sheet of negatives, I enjoy a well-printed image. I like the whole optical-chemical process of an image going onto the negative and onto the print - a tangible artifact of our creation.

So I’ll always buy film and use film.

Right! I feel the same. Even if I have to live on ramen...
 
Just buy a lot when it is available.
I buy 2-3 years worth when my local shop has my preferred film on the shelves.'
I actually currently have 6 years worth of film in stock and should stop buying.

I was just calculating this yesterday.. at my current rate of Minox film consumption, I've got enough in stock of preloaded rolls to last another four years. And then I have a 100' roll of my favorite Fuji microfilm for slitting, which will make approximately 80 more Minox loads... that's another decade at the current 8 rolls a year rate! Thankfully, slow B&W film doesn't degrade very quickly... 😉

I think I need some 120 rolls and some 35mm rolls. Always B&W... to me there's no point to shooting color film any more, and less and less point to shooting color even with digital. It's only a small part of what I prefer in my photography.

I've never stopped shooting film, I love all its defects and "character". But I enjoy equally the process of making and rendering digital captures into my photographs ... and for me, they are just as "real" as the prints I make from film cameras.

G
 
Add me to the list of "stickershock" victims. I'm down to my last five rolls of Tri-x in the fridge and went online to replenish. It seems like the last brick I bought came to somewhere around $6.00/roll. If it wasn't backordered everywhere' $12.95 might do it. No wonder so many others seem to be investigating alternate brands. At the risk of you calling me an "old fogey" - I have seen the day when it was sixty cents in the USN base exchange. It may be time to take a closer look at an X100.
 

I think I need some 120 rolls and some 35mm rolls. Always B&W... to me there's no point to shooting color film any more…

”Color is crap, Godfrey” - Henri Cartier-Bresson

Wait… did he say that to you or Eggleston?
 
"Color is crap, Godfrey" - Henri Cartier-Bresson

Wait did he say that to you or Eggleston?

LOL! Probably to both of us. 😉

I don't think color is crap, though. I just find my photographic meme isn't inclined that way, and color film is a PITA to process and render. Color works so well and so easily with digital capture, I can't see myself bothering to do color film processing at all any more. What you, or others, find fun is your business and if color film is part of that, go for it.

G


Welcome to the Evening!
iPhone 11 Pro
ISO 100, f/2, 1/120, 6mm
 
I remember 40 years ago Fred Picker saying you should buy a lifetime supply of your favorite film(s) and printing paper and put them in a freezer. Since then, so many great films and papers have disappeared. Of course, a freezer filled with Kodachrome wouldn't help much.
 
I remember 40 years ago Fred Picker saying you should buy a lifetime supply of your favorite film(s) and printing paper and put them in a freezer. Since then, so many great films and papers have disappeared. Of course, a freezer filled with Kodachrome wouldn't help much.

For a while, it seemed like a freezer full of anything wouldn't help much. Remember the "Film is dead!!!" hysteria of 15 years ago? Ou r choices are fewer, but film is still here and will continue to be. And if it's expensive as hell, well, I'm willing to deal with that.
 
Had I bought and refrigerated even 10 rolls of Kodak High Speed Infrared and Tech Pan, I’d be happy. I have none today.

I do have 18 packs of both Fuji FP-3000B and FP-100C back from before they were discontinued; I’m grateful for that. The problem is deciding when to use them.
 
Don't wait too long on those Fuji instant print loads. They don't last well, even refrigerated. No instant print film does.

I started doing photography seriously when I started high school in the 1960s. Film was always the biggest expense ... of course, at the time, buying high end photographic gear was hopelessly expensive too, given I was a teenager, so I just worked with what I managed to get my hands on. I received a couple of big boons by way of my uncles and my parents in that regard, at the time, but the film and chemistry was always on me to figure out how to buy. I just decided that this was what was important to me and spent what little money I had on film rather than on a lot of the other things kids my age were spending their allowances on. 🙂

Same goes for now. The consumables in film photography, mostly film, are always the bottom line in the cost of doing photography. You have to choose what's important to you.

Digital photography's cost matrix is rather different, and its cost is driven up by the marketing which keeps pushing us to regard that two-year-out-of-date model camera to be obsolete and undesirable, new cameras offer so much much more...! I always find this to be very artificial: to wit, my ancient 2003 Olympus E-1 DSLR is still every bit the excellent picture making machine it was when it was first released those 19 years ago. Actually better, since the tools to process raw exposures have become so much better in the meanwhile—not to mention that my skills in using those tools have improved dramatically in the past 19 years as well. But nowadays we're driven to disparage its measly 5 Mpixel resolution and relatively limited dynamic range as "not worth using any more" regardless that this camera was/still is capable of producing superb, exhibition grade 20x24 inch photographs that won me awards. The CF cards I've got for it have never worn out, the batteries are still available, and it just keeps working and working. It's our expectations that have changed, not the equipment.

Ah well, it is what it is... I just finished a roll of Ferrania P30 I was lethargically shooting in my 1954 Kodak Retina IIc, loaded up the 1978 Leica M4-2 with some Ilford XP2 Super and the Polaroid SLR670x by MiNT with some 600 B&W. I'm slowly working my way through selection and printing of the last two loads of Minopan 25 that I shot in my '69 Minox C and '70 Minox B. And the digital Leica CL and M10 Monochrom keep chugging along...

Plenty of work to be done. 😀

G

Panda in Tree - Santa Clara 2022
Minox B + Minopan 25 (aka Agfa APX25)
Scanned with Leica M10-M+Focusing Bellows-R+Summicron-R 50mm
 
Back
Top Bottom