Those are great photos. How did you get the devices to age so rapidly? Really beautiful. The DS especially.
Thanks. Also bear in mind that the photographs are meant to be viewed as 4 foot tall prints mounted next to each other on a wall so that they dominate the viewer - monolithic tombstones to technology...
As to the how... First, I prefer to get things right in front of the lens, so the ageing is real not Photoshop.
All the devices had to look at least decades old - it was crucial that they did not appear just battered; they had to seem incongruous - recent technology far older than it could possibly be. I also wanted the objects to look like they'd come from different environments (a forest, a shed, the sea, etc.).
Bearing the above in mind, I tried to imagine how the objects would look. Taking the Nintendo, I wanted it to appear as if it'd been in the sea for years. So, I bought a few broken ones and experimented. In the end, I hacked it around a bit, put it in the oven until it warped, and played a blowtorch over it (that produced that brown crazed appearance). Next, I touched it up here and there with paint, rubbed sand and dirt over it, and glued barnacles over it!
(Techniques for some of the other devices including soaking in concentrated and very corrosive acid.)
Bottom line was that it had to look realistic as a 4 foot print! In reality, the devices would weather and wear differently - I'm sure in real life the objects wouldn't look quite as visually interesting. However, if my aged devices seem as if they *could* exist, I'm happy.
Lastly, some people ask why I show photographs and not the objects for this project. The answer is that I think there's a huge difference between how we relate to photographs compared with how we perceive actual objects, such as sculptures: with photographs, we can more easily suspend our belief, and thus accept fiction as truth (because of photography's close relationship with reality and truth - which remains even in today's world of digital images). Think of the difference in how we perceive a painting of someone compared with a photo - we instinctively as a culture take the former as subjective and the latter as objective - albeit this is of course tempered by all sorts of things such as context.