raydm6
Yay! Cameras! 🙈🙉🙊┌( ಠ_ಠ)┘ [◉"]
Not an audiophile per se but...
Not an audiophile per se but...
I was into mid-fi solid state stuff most of my life (NAD, Philips, ESS) but in early 2000 got into flea-powered single ended triode (SET) amplifiers and really love the sound of tubes.
Current setup: for an amplifier, I own a modified Decware Zen Select SE84CS (1.8W/channel), CAL Audio Delta Transport & CAL Audio Alpha DAC (18-Bit tubed 2x 12AX7's), Promitheus Audio TVC Reference 1 (transformer volume control), speakers are specially made for this amp and are Parker Audio MK1 95's in an MTM configuration (sensitivity 95 db @1w/1m).
I use an assortment of copper and silver interconnects and roll power, input, and rectifier tubes to change the signature of the sound (tone controls if you will).
SET topologies can be seductive, provide amazing imaging and midrange, and bring you a row or two in front of the performers. But they have their minuses as well.
Luckily, my audio GAS is not as bad as camera gear GAS 😛.
- Ray
Not an audiophile per se but...
I was into mid-fi solid state stuff most of my life (NAD, Philips, ESS) but in early 2000 got into flea-powered single ended triode (SET) amplifiers and really love the sound of tubes.
Current setup: for an amplifier, I own a modified Decware Zen Select SE84CS (1.8W/channel), CAL Audio Delta Transport & CAL Audio Alpha DAC (18-Bit tubed 2x 12AX7's), Promitheus Audio TVC Reference 1 (transformer volume control), speakers are specially made for this amp and are Parker Audio MK1 95's in an MTM configuration (sensitivity 95 db @1w/1m).
I use an assortment of copper and silver interconnects and roll power, input, and rectifier tubes to change the signature of the sound (tone controls if you will).
SET topologies can be seductive, provide amazing imaging and midrange, and bring you a row or two in front of the performers. But they have their minuses as well.
Luckily, my audio GAS is not as bad as camera gear GAS 😛.
- Ray