Worms Kiev Day

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ruben

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My Kiev shooter, i.e. the main one which I have been using several months ago, is at my hospital quite a long time. It started with the winding fork, giving me too long spaces between frames, then it continued with the story of the eyepiece, upon which i noticed i am having tilted images, and then i had problems with the rangefinder mechanism.

Upon all these troubles and fixings, I come to the conclusion that my preference of the later models 4am, is not the most suitable for fixings. It is not due exactly to the amount of problems but the small parts, being of quite low quality and not upstanding much fiddling.

Ok, now for what i have learned and can share.

The worm shape - source of troubles
it happens that the worm arm has to light depressions, one at the begining and the other after aprox 1cm. This 1cm makes a slightly lower height at the center, while higher at the begining or the end.

But from several worms i have seen, the depression is not equal in all of them, and these differences have tremendous micronic implications on the overall extension size of each worm.

Consequently if you have a too much depressed worm, your overall alignment work of the range finder coincidence will be harder. The more "straight" the worm, the more easy to align the rangefinder.

But it is not as easy as it sounds, since the worm must have some level of depression at the middle, since it starts at a high compensator basis, then it must lower to avoid collusion with the prism holders, and then rise again to match the lever moving the worm forwards and backwards - the very range-finding operation.

At the end of a full day of work i am done for the short distances, tomorrow morning infinity eureka or crisis.

Tilted images at the yellow patch.
If you happen to notice that vertical lines show slightly diagonal at your yellow patch, Maizenberg refers us to the rectangular plano convex glass (rectangular dome shaped) of the rangefinder window. Unfortunately he doesn's say what to look for or what to do, and this type of reference is not to my best taste. Not with Maizenberg, not elsewhere.

But upon trying and trying I found that the story is to elevate one of the extreme sides, of the plano convex piece, via one or two small washers we have to provide from our side stock.

The winding and rewinding friction principle of the Contax/Kiev
Noel has already been teaching us that what moves the film when we wind, is not the winding fork and spool, but the sprockets. This is comfirmed by Maizenberg, and although I have not memorized all the KSS, I am sure it is there too. Fine.

But what is the function then of the winding fork? Should it be free and allow the sprockets to do the job or what ?

I am fully convinced that here is the source of frame spacing problems, since the sprockets give a consequent amount of turns corresponding to one frame per cocking.

Since in my Kiev 4am the fork is slightly different shaped, and there is a fixed spool, etc, i.e. I am not learning from a classical Kiev, i have been having trouble until I realized the principle is the same for all Kievs including my 4am, and that big amount of washers I found was absolutely unnecessary.

The winding fork has a highly important task both in the correct winding and rewinding. The "task" at the re-winding is passive, of course, but a misaligned winding fork will further dis-align at the re-winding. And therefore will intensify frame spacing problems.

For a quick and dirty explanation (or rather theory for discussion) I will be using the attached draw from Maizenberg's Russian edition book.

Here we see first (No 1) the tooth wheel. This wheel engages the whole winding mechanism found at the top casting, while the cylinder axis penetrates a bigger cylindrical tunnel leading to the winding spool. Only the lower end of this axis protrudes and engages the fork.

But this draw is highly misleading in the most crucial issue. The lower end is not circular at all but filed at two extremes, enabling part No 5 to engage. Part 5 is a strong spacer, that once engaged to the end of the axis may enable you to turn the whole thing by turning the spacer. And vice versa.

This is highly important because when all the parts at the draw are assembled, you cannot see if Part 5 is correctly engaged or not. Here the trap. If it is not correctly engaged the whole assembly will not properly work, without you necessarily noticing it but when it is too late. But now, lets skip this issue in order to advance, and we will return later.

Let's suppose that we install the wheel 1, then the fork (Part 3), then Part 5 and finally the screw (6). The problem is that the gears, at the top casting, advance forwards but not backwards, meaning for our assembly that it will wind but brake the re-winding, due to the wheel being stopped together with all winding gears.

Therefore the Contax designers decided to make the winding and rewinding movement of the FORK, not exactly by the positive movement of wheels, but by FRICTION POWER. Friction power will advance the fork once pushed by the wheel 1, and friction power will enable the re-winding, once we transmit force through the rewinding button, SKIPING OVER THE FACT THAT AT THE REWINDING, WHEEL 1 REMAINS STILL.

This friction is produced by spring No 2, inserted around the axis of wheel 1.

True, due to the filed end of the axis of wheel 1, and spacer 5, the winding movement is not only by friction but also due to the movement of the wheel 1, but the pressing force of the spring 2 is what retains the spacer 5 in place, and avoids the screw 6 to disengage at the rewinding.

Washer No 4, whose place is between the fork 3 and spacer 5, enables easier counter clockwise friction of spacer 5 and the fork.

This theory I am presenting answers as well to the question of how much tension should we have at our fork. Provided spacer 5 is correctly in place, we should have stronger enough tension to provide us a positive movement of the fork, parallel to the winding movement of the sprockets, AND NO LESS THAN THAT, and enough not too-much tension to enable easy re-winding, while keeping spacer 5 in place.

Now, how do we install spacer 5 in place, while during the installation screw 6 head hides the orientation of the spacer and the filed protrusion of the axis of wheel 1?

I have had some hard time with it, so I prefer to leave this question open to further contributions of other friends here. I can say that I marked the matching extremes of spacer 5 and the matching position of wheel1, marked too at its top. But this is just a start of a beginer. Conoussieurs: duty calls.

Cheers,
Ruben
 

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ruben said:
The winding and rewinding friction principle of the Contax/Kiev
Noel has already been teaching us that what moves the film when we wind, is not the winding fork and spool, but the sprockets. This is comfirmed by Maizenberg, and although I have not memorized all the KSS, I am sure it is there too. Fine.

But what is the function then of the winding fork? Should it be free and allow the sprockets to do the job or what ?

I am fully convinced that here is the source of frame spacing problems, since the sprockets give a consequent amount of turns corresponding to one frame per cocking.


The winding fork has a highly important task both in the correct winding and rewinding. The "task" at the re-winding is passive, of course, but a misaligned winding fork will further dis-align at the re-winding. And therefore will intensify frame spacing problems.

For a quick and dirty explanation (or rather theory for discussion) I will be using the attached draw from Maizenberg's Russian edition book.
Ruben,

Just to throw some controversy in here...
First let me say I'm not an expert on Kievs, far from it. From a mechanical consideration though, the spool clutch cannot cause uneven spacing, although other problems can indeed be due to it. The sprocket is driven from some gear mechanism, which I'm not familiar enough to say what. This mechanism alone causes film to be advanced and the purpose of the spool clutch is to accept whatever film is passed over the sprockets. Too much tension could tear the film and too little could cause it to bunch up or get tangled or not to lie flat on the film rails. However, within a small tolerance it cannot cause uneven spacings. If spacing is uneven then the sprockets MUST be turning unevenly so the fault lies in the sprocket drive mechanism.

To illustrate this, I recently decided to clean the clutch mechanism in my Kiev 4. This camera was my father's and I know it has never been serviced in any way. The frame-spacing is, however, perfectly even and always has been. I ran a scrap film through it using the B setting and marking the frames, through the lens mount.

I checked the clutch by holding the spool while winding on and found the force was very high. Then I dismantled the clutch and cleaned and lubricated it (it was very dirty indeed). Afterwards the tension was very much lower but still quite good. The scrap film went back through and was re-marked in a different colour. Lo and behold - EXACTLY the same spacing. The only real difference is that the winder is now quite a lot lighter!

Perhaps someone more knowledgeable on Kievs can explain how the clutch could cause spacing problems, othewise I cannot see how it's possible...
 
I have also dismantled my Kiev up to separate the shutter module.

As Wolves said (and probably other have said here), the frame spacing is defined by the the amount of rotation of the sprockets. Because of the gear train, sprockets are not able to slip, their rotation is given as long as you turn the winding knob.

But - and this could explain the problem- you have to fully turn the knob to the stop position for the frame to be positioned correctly.

Problem is that the design of the shutter lock allows to shoot before reaching the stop position, and because at the end of the winding it becomes very stiff, you can inadvertently believe that have reach it when a small rotation is still pending.

This problem is more acute when:
- in the slower shutter speeds
- lacking of good lubrication

Well this is my two cents contribution (Mexican pesos however...🙂 )
 
Zorroflores:

Your discussion regarding "fully" turning the film advance knob has merit. I had never thought about this. I will run another roll through my 4AM and see if paying particular attention to this solves the problem. I will report back.

OT: I live on the Mexican border (the northern one). Where do you live in Mexico?

Ted
 
Since the shutter, cocking, winding, speed change operations are all interconnected by a single mechanism of multiple gears, starting at the shutter knob, I am starting to think there can be many sources of problems unless all parts work properly. Very much alike, the smoothness of the camera, putting aside the moment in which the curtains start to elevate, depends upon the sum of all moving parts being fit, clean and lubricated.

In fact, if we think about, it makes a lot of sense, since the mooving of the film is one of the last consequences of a whole, composed by many parts.

It is good that we identify each possible source, and therefore see my former opening post as an element by itself, instead of THE source of trouble.

Now, if I understand Zorroflores correctly (and this is not guaranteed at all) you are saying that we can have trouble if we do not FULLY turn the shutter knob. If so far, I am correct in the interpretation, this may explain OVERLAPPING of frames.

And we still have to identify the sources for too much spacing among the frames as well.

Cheers,
Ruben
 
zorroflores said:
I have also dismantled my Kiev up to separate the shutter module.

As Wolves said (and probably other have said here), the frame spacing is defined by the the amount of rotation of the sprockets. Because of the gear train, sprockets are not able to slip, their rotation is given as long as you turn the winding knob.

But - and this could explain the problem- you have to fully turn the knob to the stop position for the frame to be positioned correctly.

Problem is that the design of the shutter lock allows to shoot before reaching the stop position, and because at the end of the winding it becomes very stiff, you can inadvertently believe that have reach it when a small rotation is still pending.

This problem is more acute when:
- in the slower shutter speeds
- lacking of good lubrication

Well this is my two cents contribution (Mexican pesos however...🙂 )



I agree with this as a possible cause. With a test film in, winding on and observing a marked film, I have never been able to catch it overlapping a frame. This could be because it is on B for these tests. As they are wound on, it is sometimes possible to feel odd stops in the process at speeds lower than the fastest.
Dave....
 
I think that this is the likely explanation. I have a Kiev-4a that requires the winding knob to be held under tension to give the 'B' speed. Unless I do this the knob slips backa fraction and the shutter fires at 1/25.

zorroflores said:
I have also dismantled my Kiev up to separate the shutter module.

As Wolves said (and probably other have said here), the frame spacing is defined by the the amount of rotation of the sprockets. Because of the gear train, sprockets are not able to slip, their rotation is given as long as you turn the winding knob.

But - and this could explain the problem- you have to fully turn the knob to the stop position for the frame to be positioned correctly.

Problem is that the design of the shutter lock allows to shoot before reaching the stop position, and because at the end of the winding it becomes very stiff, you can inadvertently believe that have reach it when a small rotation is still pending.

This problem is more acute when:
- in the slower shutter speeds
- lacking of good lubrication

Well this is my two cents contribution (Mexican pesos however...🙂 )
 
ruben said:
Now, if I understand Zorroflores correctly (and this is not guaranteed at all) you are saying that we can have trouble if we do not FULLY turn the shutter knob. If so far, I am correct in the interpretation, this may explain OVERLAPPING of frames.

And we still have to identify the sources for too much spacing among the frames as well.

Cheers,
Ruben
Ruben,

I'd say that failing to wind fully would explain overlapping frames. The sprocket has 8 teeth and this corresponds to about 38mm of film, giving a spacing of about 2mm between frames, since the sprocket makes 1 complete turn per frame. Overlapping frames implies more than 1 turn of the sprocket, which in turn means more than a full turn on the wind knob. How that could be possible I cannot suggest.

Interestingly, this frame-spacing fault rarely seems levelled at FED or Zorki cameras, yet they share the very same methods of film transport.
 
Ruben

All the cameras may be badly worn even a 4am, they are antiques.
I hope what I suggested was
a) dont bother unless you are tearing sprocket holes, uneven frame spacing too difficult to think about... for me.
b) try one drip of fine oil, from darning needle,
into clutch mechanism of take up forks, unto big screw in centre of take up forks. Spin take up forks with take up mechanism locked, i.e. wind on to lock, to try and work oil unto clutch
bi) if that does not loosen friction a lot then undo big screw drop out forks, clean and reassemble, in the same order, the small parts, counter hold forks, when loosening and tightening big screw, hold with pliers, not on gears.
bii) If there is a lot of vertical play in assembled forks there is a risk of gears stripping, in service, or during b) above, I sometimes fit a washer to hold the gears as near the forks to avoid this risk of damage, you need to remove the top casting to see this problem.

The rangefinder cam is difficult to address if it is worn. If the optics are not perfect before calibration you need to dissamble and reglue until they are.
Then you need to align at infinity and close up, mark the tooth as in Russ's site, jump a tooth and do both again, I've had to repeat this five times until I got it exactly correct.

If you were picky you could try three points, but practical people only set it at their normal shooting distance.

You need to register the body accurately, this is real difficult, and check the focal plane to ensure the lens is ok as well.

It took ages to build a new Kiev or Contax with good tools like an autocollimator etc.

Getting a new condition 56-72 Kiev may be the simplest technique.

Noel
 
wolves seems to be right... how can there be more spacing than the 2mm ?
I would agree than incomplete winding can cause overlapping, but what can cause 1cm between frames? The only reasonable answer is "too tight clutch".

I have never heard of uneven spacing on FEDs or Zorkis. Why? Because they have different costruction of the clutch...

These are just my 2 cents.
 
Spyderman said:
wolves seems to be right... how can there be more spacing than the 2mm ?
I would agree than incomplete winding can cause overlapping, but what can cause 1cm between frames? The only reasonable answer is "too tight clutch".

I have never heard of uneven spacing on FEDs or Zorkis. Why? Because they have different costruction of the clutch...

These are just my 2 cents.
Not quite what I was implying, Spyderman...what I meant was I can't see how a tight clutch can advance more than one frame without ripping the sprocket holes. FEDs and Zorkis may be constructed differently, yet the slipping-clutch principle is exactly the same. The sprocket alone controls film advance, assuming no tearing occurs.
 
The sprocket alone controls film advance, assuming no tearing occurs.

I think the film can be pulled faster than the sprockets move. There is a roller on the removable back to push the film against the sprockets, but only one (two would be more effective) and I guess the film still makes it between the sprockets and the roller and moves faster - because of too tight clutch which doesn't slip when it should...

Whaddya think about this possibility?
 
Spyderman said:
I think the film can be pulled faster than the sprockets move. There is a roller on the removable back to push the film against the sprockets, but only one (two would be more effective) and I guess the film still makes it between the sprockets and the roller and moves faster - because of too tight clutch which doesn't slip when it should...

Whaddya think about this possibility?
Well I'd certainly not thought of that possibility. I'll have a close look at a Kiev and see if it might happen. The problem there is that you need to see inside the closed case really! The film would eventually jump sprocket teeth if that happened, so you'd expect the extra frame spacing to be a multiple of the teeth. There is also the wrap-around of the film to keep it on the sprocket, so I don't see it as a probability, just a possibility. The more film on the take-up spool, the more the film is pushed onto the teeth too, making it less likely as film is advanced. I'd expect sprocket holes to tear before it slipped.

I reckon that one tooth is 4.75mm so the spacing should be 4.75 x N + 2.00, where N is the number of teeth slipped. Anyone with spacing problems able to verify this?
 
My very first film through a Kiev had increasing spacing, and it wasnt't only k * 4.75mm. They were constantly increasing... that's why I defend my opinion. There must be some way how the film bypasses the sprockets - as if there were no sprockets at all! I'm sure that in case of extremely stuck clutch this is possible.
 
i think that bigger spacing comes from too tight wind fork and probably not enough pressure of the plate which presses film so film can slip over sprocket teeths. same slipping over when fork is too loose can maybe cause overlapping. maybe a key to good spacing is loose rewind fork, strong plate, and then wind fork is not so important. (also i noticed that some cassetes are not compatible with kiev so film sprocket holes are not totally horizontal maybe that also can cause slipping from sprocket teeths)
 
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The film in the camera indeed winds faster when you are getting more film on the take up spool, the diameter of the take up spool with the film increases, and with the diameter the pulling of the film to the sprockets.
(same effect happens with tape recorders, they pull more tape when the winding spool is full)

The film in the Kiev is wound up counter clockwise, because the film is wound up counter clockwise in other FSU camera's the film is pressed more tigh to the sprockets in for example the Z4.
To prevent the screw on the fork from unwinding you could use a little glue to hold it in position.

Haven't read all posts clearly, this is just what came up to my mind. 🙂
 
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Ruben & Valkir

The clutch mechanism is easy to reassemble even with the top plate in place, and the screw wont come undone (unless the threads are damaged). The spacer thickness and positions controls the friction, unless you are going to alter the pre-tension of the spring, which needs serious tools.

The film does not wrap around the tooth shaft much, and this varies, initially there is some but toward the end of 36 exposures less. When I tear film it is always at the 36 end, typically frames 28 to 32.

I ignore the 'too close frames' unless there is more then 1mm of overlap as the labs processing robot that mounts the slides is real good.

I think the variability in spacing can only be caused by gear wear, and of course too much clutch tension. Alter some dialogue with Ruben I tried 'lots' of lube, and my delinquents are now much better. They did not need more then three micro drops from a dentist pick, and excerises to work the PTFE liquid into the clutch mechanism that Ruben posted in 1st post of this thread.

I have other problems to worry about than stripping Kievs with spacing problems. Like taking photos... it is going to rain this evening so I'm out...

Noel
 
Valkir1987 said:
To prevent the screw on the fork from unwinding you could use a little glue to hold it in position.

i tried that but i think that cause problems when rewinding film 🙁 if i am not wrong.
 
Spyderman said:
My very first film through a Kiev had increasing spacing, and it wasnt't only k * 4.75mm. They were constantly increasing... that's why I defend my opinion. There must be some way how the film bypasses the sprockets - as if there were no sprockets at all! I'm sure that in case of extremely stuck clutch this is possible.
Well, I had a look at my Kievs and have to admit I made a mistake. The film is wound oppositely from FED/Zorkis so now I can see exactly what you mean. The film would indeed tend to ride away from the sprocket teeth, so I can certainly agree that what you say is a possibility. Perhaps we found the weak spot in the Kiev design!
 
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