For film, almost all of the now hysterically collectible compacts, despite many of them being unrepairable. Nikon 28ti and 35ti, Contax T2 and T3, Fuji Natura, Leica Minilux and others. Now frequently selling at four figure sums, far too expensive for the actual capabilities and long term reliability of the cameras. If not for this, I would have them all!
Can't speak for Nikon or Fuji, but the Contax T2 and T3 are imho extremely reliable, shoot with them since decades, first T2 (sold to a friend, still working), then T3, never had any issue and I'm not really careful when handling them, the T3 is always with me whatever I do. Best photography related buy ever in my life.
And in regards to expensive, it's less a question of the price (provided you have enough money), it's more a question of personal value. But if you question the actual capabilities of these compacts for your needs, yes, sure, then don't buy them. Just makes me wonder why you want to have them in the first place then.
In general I think people underestimate the reliability of old (compact) film cameras, even the ones with electronic inside. There are only a few models which are really uncommonly frequently prone to failure like the GR or the Minilux for example.The rest is mostly again and again repeated internet gossip about broken film cameras.
Coming back to the thread topic, for film, Makina 67/670, always think about but hesitated so far to buy one, don't really know why
😱 For digital, Leica M10-P, but I'm afraid to to walk around with 10K (incl. lens) around my neck, would make me feel uncomfortable, for sure not the best condition to get good photos. This also the reason why I stay always under 1,5K when I buy cameras, If something happens (lost, stolen or broken) I know I could easily replace it and don't have to think about.
Juergen