I've never really liked the 'look' of zooms. Probably had something to do with my early photography relying on less-than-stellar Soligor and Series E kit lenses from the 70s.
I know image characteristics like that are things only photographers and not viewers pick up on.
Professionally, I've rarely used them. In photojournalism school my professors and peers thought it was a bit absurd I'd have an enormous bag full of primes for a shoot (often slightly vintage, and still end up shooting mostly with a 35 or 90) instead of the bog standard 35-70. One of my first-year professors hammered in the 'zoom with your feet' mentality and I guess that stuck, as well.
These days, I mostly shoot with a RF or a MF SLR and zooms are just not even an affordable option (if you can call the Tri-Elmars zooms). It's just a no-brainer, and I don't even think of zooms at all. I'm not shooting sports or breaking news, or even many weddings anymore, and if I want to carry just one lens, you bet it'll be a 35 or a 50.
I'm sure optics have grown much better with the explosion of mirrorless, based on the number of zooms every major make is offering when I stop in the local shop. A lot more than the old 18-300 'do-everything' lenses that seemed to be popular with Sigma et al in the early DSLR days. I just don't have much interest in switching to mirrorless to try them.
Despite that, there's one that I've kept—the venerable old Nikkor ED 80-200, 'trombone' push-pull zoom. A hobby of mine is bicycle racing, particularly the muddy sport of cyclocross, and I still love photographing the afternoon races after I'm done with my own. In the woods on a tight closed course, a decent aperture, AF and a good bit of range are godsends.