Disappointed_Horse
Well-known
Ah, activity on the Pentaxian thread!
I was a Pentaxian about a decade and a half ago. You're motivating me to pull out my SMC-Pentax-L 43mm f/1.9 Special, fit it to either the M4-2 or CL digital, and go make some photos with it. That's the last piece of Pentax equipment I own... and the 43/1.9 lens is my all-time favorite Pentax lens.
G
That is a very cool lens. Would love to see some pictures from it.
Godfrey
somewhat colored
Sure ... First, camera and lens:
Leica CL + Pentax-L 43mm
Then a few photos:
Leica CL + Pentax-L 43mm f/1.9 Limited
ISO 6400 @ f/1.9 @ 1/60

Leica CL + Pentax-L 43mm f/1.9 Ltd
ISO 6400 @ f/2.8 @ 1/60

Glimpses As Daylight Fades #3 - Santa Clara 2021
Leica CL + Pentax-L 43mm f/1.9 Ltd
ISO 800 @ f/5.6 @ 1/60 (estimated)
It's a wonderful lens, took me a while to find one at a reasonable price. Many are sold 'as new' in the original packaging for pretty high prices; I managed to find this one as just the lens and caps for about half the average price.
G

Leica CL + Pentax-L 43mm
Then a few photos:

Leica CL + Pentax-L 43mm f/1.9 Limited
ISO 6400 @ f/1.9 @ 1/60

Leica CL + Pentax-L 43mm f/1.9 Ltd
ISO 6400 @ f/2.8 @ 1/60

Glimpses As Daylight Fades #3 - Santa Clara 2021
Leica CL + Pentax-L 43mm f/1.9 Ltd
ISO 800 @ f/5.6 @ 1/60 (estimated)
It's a wonderful lens, took me a while to find one at a reasonable price. Many are sold 'as new' in the original packaging for pretty high prices; I managed to find this one as just the lens and caps for about half the average price.
G
nickthetasmaniac
Veteran
zuikologist
.........................
Godfrey, these are beautiful. You have motivated me to dig out my 43/1.9 in K mount. I should use it more.
Sure ... First, camera and lens:![]()
Leica CL + Pentax-L 43mm
Then a few photos:
Leica CL + Pentax-L 43mm f/1.9 Limited
ISO 6400 @ f/1.9 @ 1/60
Leica CL + Pentax-L 43mm f/1.9 Ltd
ISO 6400 @ f/2.8 @ 1/60
Glimpses As Daylight Fades #3 - Santa Clara 2021
Leica CL + Pentax-L 43mm f/1.9 Ltd
ISO 800 @ f/5.6 @ 1/60 (estimated)
It's a wonderful lens, took me a while to find one at a reasonable price. Many are sold 'as new' in the original packaging for pretty high prices; I managed to find this one as just the lens and caps for about half the average price.
G
Disappointed_Horse
Well-known
[snip]
It's a wonderful lens, took me a while to find one at a reasonable price. Many are sold 'as new' in the original packaging for pretty high prices; I managed to find this one as just the lens and caps for about half the average price.
G
Lovely shots Godfrey!
Blind_spark
Established
p.giannakis
Pan Giannakis
Pentax ME - Pentax-M 35f/2.8
ilford HP5+ in HC110 (pushed to 1600 ISO)
image
ilford HP5+ in HC110 (pushed to 1600 ISO)
nickthetasmaniac
Veteran
filedata/fetch?id=4763541&d=1640804533
Original Pentax and an adapted Xenon 50/2. Came to me with wrinkled curtains which caused hangups; much better after new curtains and a CLA =).
Lovely
Who did you get to replace the curtains? I’ve currently got a tech in Australia doing the curtains on my Asahi Pentax S.
Blind_spark
Established
Lovely
Who did you get to replace the curtains? I’ve currently got a tech in Australia doing the curtains on my Asahi Pentax S.
Thanks! It's my go-to SLR these days, especially since I've also now acquired a 58/2 Takumar to compliment it.
I did the curtain replacement myself - I enjoy working on the pre-Spotmatic Pentax cameras, but this was my first curtain replacement on one. I did try to make fresh curtains from scratch at first, using the originals as templates and reusing the AP's curtain bars, but I wasn't satisfied with the result.
I have a few S/H-series cameras in parts condition. The S1/H1 has curtains that are practically identical in pattern, with only the curtain rollers being different. The S2/H2 (not the S2 Super) are probably exactly identical, but I don't have one on hand to say for sure. In any case, I took the curtains from an H1 that was already missing many other parts.
Being that the curtain rollers in the H1 are different to the AP, I then carefully transferred the H1 curtains to the curtain rollers in the AP.
Two points to note:
- The AP uses the curtain bar of the opening curtain to trigger the flash - thus, ~5mm of bar from each end is sanded to bare brass to accommodate this. The later cameras use a gear to trigger the flash.
- The rubberized side of the curtain is oriented opposite as well - the original curtains in the AP had the rubberized side facing the film, where the H1 has it facing the lens. Minor things that don't impact shooting, but perhaps important if one is interested in a camera that is exactly as it was originally issued.
Probably more than you wanted to know, but it's fun to share anyways.
Disappointed_Horse
Well-known
Thanks! It's my go-to SLR these days, especially since I've also now acquired a 58/2 Takumar to compliment it.
I'm very interested in the 58mm Takumars—would love to see some photos of and taken with yours.
nickthetasmaniac
Veteran
Thanks! It's my go-to SLR these days, especially since I've also now acquired a 58/2 Takumar to compliment it.
I did the curtain replacement myself - I enjoy working on the pre-Spotmatic Pentax cameras, but this was my first curtain replacement on one. I did try to make fresh curtains from scratch at first, using the originals as templates and reusing the AP's curtain bars, but I wasn't satisfied with the result.
I have a few S/H-series cameras in parts condition. The S1/H1 has curtains that are practically identical in pattern, with only the curtain rollers being different. The S2/H2 (not the S2 Super) are probably exactly identical, but I don't have one on hand to say for sure. In any case, I took the curtains from an H1 that was already missing many other parts.
Being that the curtain rollers in the H1 are different to the AP, I then carefully transferred the H1 curtains to the curtain rollers in the AP.
Two points to note:
Honestly, the only real challenging part was getting the curtain, clutch, and wind gears back into the correct orientations. Unfortunately, the camera jammed in the middle of a winding cycle while I was initially testing it before the curtain swap; thus, I was unable to note the correct starting positions of the gears during disassembly. There is no service guide (that I know of) for the original Pentax cameras, so one must make inferences from the guides available for the later cameras to get everything into the proper position. Very logical once you figure it out, but a bit of trial and error to get there.
- The AP uses the curtain bar of the opening curtain to trigger the flash - thus, ~5mm of bar from each end is sanded to bare brass to accommodate this. The later cameras use a gear to trigger the flash.
- The rubberized side of the curtain is oriented opposite as well - the original curtains in the AP had the rubberized side facing the film, where the H1 has it facing the lens. Minor things that don't impact shooting, but perhaps important if one is interested in a camera that is exactly as it was originally issued.
Probably more than you wanted to know, but it's fun to share anyways.
Thanks for the detail, very interesting!
Id also like to see some samples from the 58/f2. A Takumar very rarely spotted in the wild!
Disappointed_Horse
Well-known
Kinda dead around here lately… Here's a photo I made last year with my SL and 50mm f/1.4 S-M-C Takumar, just back from service by Eric.
000060700007 by Aaron Alfano, on Flickr

nickthetasmaniac
Veteran
nickthetasmaniac
Veteran
Southern Highlands | Tasmania
Test roll from my newly restored Asahi Pentax S (and a sneaky cameo from my M2). The AP-S still has a bit of shutter capping, so it'll have to go back for a fine tune. But gees it's fun to shoot
Kentmere Pan 400 in ID-11

Asahi Pentax S and Takumar 55/f2.2

Leica M2 and Voigtlander 50/f1.5
Test roll from my newly restored Asahi Pentax S (and a sneaky cameo from my M2). The AP-S still has a bit of shutter capping, so it'll have to go back for a fine tune. But gees it's fun to shoot
Kentmere Pan 400 in ID-11

Asahi Pentax S and Takumar 55/f2.2

Leica M2 and Voigtlander 50/f1.5
Godfrey
somewhat colored
Southern Highlands | Tasmania
Test roll from my newly restored Asahi Pentax S (and a sneaky cameo from my M2). The AP-S still has a bit of shutter capping, so it'll have to go back for a fine tune. But gees it's fun to shoot
Kentmere Pan 400 in ID-11
{snip}
Asahi Pentax S and Takumar 55/f2.2
{snip}
Leica M2 and Voigtlander 50/f1.5
Interesting how similar the rendering from these two lenses looks.
G
nickthetasmaniac
Veteran
Interesting how similar the rendering from these two lenses looks.
G
True, but then this was shot at f16, on black and white film, with no sun in the frame, and scanned on a lowly V550. Point being, I wouldn’t expect much visible difference under these conditions from two fairly standard Double Gauss designs!
Evergreen States
Francine Pierre Saget (they/them)
Pentax K1000, I believe with the 100mm ƒ/2.8 SMC-M
Ilford FP4+ pushed to 250
Taken in Kennewick, Washington. Date not recorded.
http://
Untitled by Pierre Saget, on Flickr
Ilford FP4+ pushed to 250
Taken in Kennewick, Washington. Date not recorded.
http://

nparsons13
Well-known
muf
Well-known
I purchased a macro lens recently in K mount. However, the lens is a bit of an oddity and I am hoping someone can enlighten me. The lens is an SMC Pentax-M macro f4 50mm. Common enough lens, except this seems to be in three colors. The aperture ring is bronze, the middle body is titanium and the grip is black. What is it because I can't find a picture of another. They are all black. Anyone know?
Excuse the dust.
Thanks,
paul
Excuse the dust.
Thanks,
paul
Attachments
Pál_K
Cameras. I has it.
…this seems to be in three colors. …
My guess is that someone disassembled it and tried to coat the three sections to produce a unique looking lens.
Hopefully it works and focuses properly.
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