I handled both a CL and a Bessa-L at a camera show recently. Now I know which one I'll be saving for 🙂
I'm trying to like the L and T, since they're certainly budget-friendly, but I just can't. To me, they're amputated plastic SLRs with the true sign of the devil (i.e., the Phillips-head screw) staring me in the face everywhere I look and a double shutter* that sounds like an SLR, too.
I'm sorry, I already have a camera like that, made by Cosina in circa 1984. It's called a Konica TC-X, it's the ugliest thing you've ever seen, but it's small, light, fully mechanical, takes a single AAA battery for the meter, carries a 40/1.8 Hexanon pancake lens most of the time, works like a charm and cost 20 bucks, shipped, with the lens. Which is exactly what it's worth.
I better put on my flame-proof suit now, but as the weather guy on Maine public radio is wont to say, "that's the way it looks from here."
*(Can somebody explain to me why Copal shutters were perfectly light tight in all those fixed-lens RFs of the seventies, but not in Bessas? Cost-cutting? Or is it during lens changes that a single one is not enough?)