Mr_Flibble
In Tabulas Argenteas Refero
The spring of the roller was wound about 7-1/2 turns by the way
My works at 8 turns. I have try 5, but at slow speed the top curtain really slowdown at the end.The spring of the roller was wound about 7-1/2 turns by the way
Okay.
Drat, first ribbon that seemed to match the thickness of the original installed on the spring drum and threaded it through the clutch, but it feels like there's too much resistance feeding it through the clutch. A few other materials left to try.
Now, for the number of turns the ribbon is wound around the rollers on the spring drum. I take it that's about 1.5 to 2 turns? That leaves a gap size of at least the height of a film frame.
But I'm a little wary of removing the screws from the locking plate of the drum again to add another turn of tension to the spring. The aluminum of the shutter crate is rather soft as you said.
The biggest problem is the fact that the original ribbons are no longer available. One has to rely on alternatives. I've had good results with the ribbons from Aki Asahi, but actually these are too thin, so 1/500 and 1/1000 do not work anymore. Erik.
Rick, I think you have it now. I would close the camera to see if it still runs when closed. If it does, put a test film in it.
Erik.
It's something thats crossed my mind, yes, and I agree with you that theoretically the thinner ribbon will make for a smaller diameter and hence, less rapid acceleration when the shutter is released, relatively speaking (comparing Eg. the same starting spring tension for a Contax with OEM ribbon, and another with AA ribbon). There's some tolerance for ribbon length at least in the subsequent II & III models. I used Rick Oleson's recommended ribbon length for the first two Contaxes I worked on which run well, even though I removed the ribbons from my second II intact and they measured a few mm shorter. But I installed new AA ribbons the same length as those I removed back into that camera, and I've been using it a lot, and its running very well. Purely on the basis of my own experience to date, I'm not sure if the ribbon thickness is as critical for curtain velocity as one might expect it ought to be, given the points you've mentioned. I'm not dismissing your comment by any means, because I've wondered about exactly the same point myself. Just saying that it may not necessarily be as problematic as one might expect. Of course, I am happy to be corrected by someone with more experience using different types of ribbons. After doing a great deal of research, all roads led to Aki Asahi for me--not perfect, in as much as they're not the same thickness as OEM--but can be made to work very well, and certainly seem to be the most durable, (my main concerns). Don't forget that there's also a relationship between the length of ribbon and how many turns of the tensioner are needed and possible (safe). There's a balancing act involved in making it all work well and absence of friction is probably much more critical than Eg ribbon thickness.Maybe someone has already thought of this, but with a ribbon that is thinner than standard, when the shutter is tripped and the ribbon is pulled and wound back up it will be moving slower than the standard thick ribbon because as the ribbon winds up in a coil the diameter of the coil of ribbon at any given point in the shutter travel will be smaller, so with each revolution it will be rolling up less ribbon than if it were standard thickness.
Maybe extra ribbon length would help if that extra length were reduntant except to be pre-wound and coiled up to make the coil of ribbon larger to start with at the instant the shutter is tripped.... Then the shutter speed would be higher as for each revolution of the coil it would be pulling it a longer distance.
It's something thats crossed my mind, yes, and I agree with you that theoretically the thinner ribbon will make for a smaller diameter and hence, less rapid acceleration Brett