VinceC
Veteran
If you're looking for EXIF data, then you're not honoring the spirit of the posts. If I post something, I'll purposefully change the EXIF data (very easy to do).
lament
Member
I will guess both the man in the hat and the wall are digital.
Todd's two top images (without exif) are obviously oversharpened. If they're film, they're post-processed.
Black woman - look at the highlights on the face.
Todd's two top images (without exif) are obviously oversharpened. If they're film, they're post-processed.
Black woman - look at the highlights on the face.
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Honus
carpe diem
I enjoy playing - even though I am more often wrong than right.
Ray - I guessed digital before you revealed it to be so.
fdigital - digital
350D_user - film
Honus - This was film (Tri-X @ 1600 stand developed for 2 hrs. in 100+1 Rodinal
)
Todd - Top to bottom: film, digital, film
ManGo - digital
If I am 100% wrong, I will claim dyslexia
Ray - I guessed digital before you revealed it to be so.
fdigital - digital
350D_user - film
Honus - This was film (Tri-X @ 1600 stand developed for 2 hrs. in 100+1 Rodinal
Todd - Top to bottom: film, digital, film
ManGo - digital
If I am 100% wrong, I will claim dyslexia
350D_user
B+W film devotee
I'll own up... my offering was 100% digital. By the time I'd taken this photo, my output was nearly 75% b+w conversions. The EXIF information was stripped from the photo. The replies from others surprise me, I thought mine would've been nailed as 100% digital right from the start. Hmm.
As to why I instantly head for the EXIF data, if present, blame the analyst in me. Given a problem, I'll instantly look for all possible reasons. And after a 10-day shift, it's not easy to not do that.
... that's my excuse anyway.
As to why I instantly head for the EXIF data, if present, blame the analyst in me. Given a problem, I'll instantly look for all possible reasons. And after a 10-day shift, it's not easy to not do that.
... that's my excuse anyway.
lament
Member
I guessed right then350D_user said:I'll own up... my offering was 100% digital. By the time I'd taken this photo, my output was nearly 75% b+w conversions. The EXIF information was stripped from the photo. The replies from others surprise me, I thought mine would've been nailed as 100% digital right from the start. Hmm.
As to why I instantly head for the EXIF data, if present, blame the analyst in me. Given a problem, I'll instantly look for all possible reasons. And after a 10-day shift, it's not easy to not do that.
... that's my excuse anyway.
What prompted me to guess digital was the noise pattern in the shadows (for example, the entire top of the picture)
RayPA
Ignore It (It'll go away)
350D_user: film
Todd: digital, film, digital
Manny: film
Todd: digital, film, digital
Manny: film
RayPA
Ignore It (It'll go away)
350D_user said:I'll own up... my offering was 100% digital. By the time I'd taken this photo, my output was nearly 75% b+w conversions. The EXIF information was stripped from the photo. The replies from others surprise me, I thought mine would've been nailed as 100% digital right from the start. Hmm.
As to why I instantly head for the EXIF data, if present, blame the analyst in me. Given a problem, I'll instantly look for all possible reasons. And after a 10-day shift, it's not easy to not do that.
... that's my excuse anyway.
doh!...another swing and miss!
lament
Member
350D_user
B+W film devotee
Heh, I guess digital noise just cannot emulate film grain... computers are still too predictable, compared to real-world physics/nature.lament said:I guessed right then
What prompted me to guess digital was the noise pattern in the shadows (for example, the entire top of the picture)
350D_user
B+W film devotee
I'll say "film", and guess that the filmscanner couldn't handle the tonechange on the framework of the door... there's a block of uniform shade there.lament said:What about this?
gavinlg
Veteran
For the picture of the girl - yes it was a canon 30d.
All the rest have been covered - Lament - that ones film aint it?
All the rest have been covered - Lament - that ones film aint it?
arbib
Well-known
He is my entry
He is my entry
A rainy day photo
He is my entry
A rainy day photo

arbib
Well-known
lament said:What about this?
for the gal and guitar
Film...1600 or 3200 ISO.
My XTi can give better detail than this has at ISO 1600.
RayPA
Ignore It (It'll go away)
Girl with the Guitarlament said:What about this?
Interesting shot. Nice. Is this a crop? Can you get a little more of the girl on the left? I'm hitless so far, but I'll guess that this is digital. Focus is on the the cup in the foreground which makes her soft and that "grain" in the background is a tough call. It looks like film, but I've seen it in digital in underexposed areas.
RayPA
Ignore It (It'll go away)
arbib said:A rainy day photo
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Looks a little sharp which complicates calling this one. The washed out "exterior" is all I have to go on. Hard to tell, but it looks like something film shoud've been able to handle. I'm going to go with digital.
.
T
Todd.Hanz
Guest
ibcrewin said:mango. I'm going to say digital.
Todd.. From the top film, film, digital
you got it! the top two are Velvia, cross processed...the last one is digital, if you looked at the exif you cheated
Todd
Stephanie Brim
Mental Experimental.
Where do you get your cross processing done? I have some Velvia left that I'd like to do.
T
Todd.Hanz
Guest
lament said:I will guess both the man in the hat and the wall are digital.
Todd's two top images (without exif) are obviously oversharpened. If they're film, they're post-processed.
QUOTE]
cross processed, not post processed, over sharpened...not really.
T
Todd.Hanz
Guest
Stephanie Brim said:Where do you get your cross processing done? I have some Velvia left that I'd like to do.
a local lab, AZ here in Houston.
Todd
George Bonanno
Well-known
Garrett Mountain Candid...
Garrett Mountain Candid...
Flash on camera fired... DOF should be a good clue.
Garrett Mountain Candid...

Flash on camera fired... DOF should be a good clue.
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