Do you stage pictures, or do you just shoot what you see?

Do you stage pictures, or do you just shoot what you see?

  • Yes, I usually do

    Votes: 5 4.0%
  • Sometimes I move things around or adjust the lighting.

    Votes: 44 35.5%
  • I shoot what I see.

    Votes: 75 60.5%

  • Total voters
    124
  • Poll closed .

Peter^

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Maybe I'm just lazy, or I lack the creativity, but I very rarely ever set up a picture using props, lighting etc. I don't even position models. If I see something I like, I shoot it.
I have the feeling - but I'm not sure - that a lot of us here work like that, at least in comparison to other photographers.
Is that true?
 
It's a combination for me (and there is no option for that in the poll.)

Depending on the situation, and the reason I'm shooting in the first place, I often do an extensive set-up. Other times, I just shoot.
 
I move things around if I have a chance of doing it. There is nothing wrong with staging but again, depends what you are photographing. I am certainly not staging my street stuff 🙂 I voted #2

Regards,

Boris
 
with the exception of still lifes of course, i just shoot the situation, which is already there. but compose it through the viewfinder, which is some kind of arrangement too...
 
in Nature I shoot as it is presented to me...with the rare exception of moving a leaf or two or maybe bending over a tall weed...
Street shooting I stage nothing...
In other areas I might move a slight distraction like a coffee cup, trash can, someone's sunglasses or whatever...as long as it doesn't change the original scene that caught my eye...just little things to clean it up...
Most times I will try another angle or lens to see if I can remove the article that way first...
 
Mostly I shoot what I see, that is, I do not stage things, but try to get what I see in a compositionally good frame. Not staging things up and working with what is there is mostly part of the fun for me. I like surprises and I like documentary photography. But surely I have nothing against a well constructed and set up photograph, such as in fashion, still life and product photography or conceptual, artisitic work.
 
I shoot what I see, but I move myself around to compose.

And here is the obligatory (albeit IMO very true) quote from HCB:
„The thing to be feared most is the artificially contrived, the contrary to life."
 
I'll go to elaborate lengths to realise an idea in my head ... I really enjoy the process and it connects me with the art side of the medium rather than just documentation. I also like the other side of the coin though .. where what you see is what you get!

It's all good as they say. 🙂
 
I struggle with deciding whether I should move something or clean up some debris on a lot of my projects. I had been taught to photograph as it is found. Maybe that comes from having an instructor who was a photojournalist for Bay Area papers. Whenever I look at a scene, as I think of how I want to photograph it, I remember Rothstein and the controversy of the cow skull.

Lately though, I have at least started to remove weeds and debris that gets in the way of taking a photograph as I want to see it. I have also started keeping a reflector and a stand in the back of the car....just in case I need it.
 
I shoot what I see. probably why most of my photo's are crap.



I remember you mentioning that you drive a truck for a living. I've often wondered why you don't show us what that's like photographically ... I'd find it fascinating personally! 🙂
 
When I do portraits or photograph models I obviously give them directions. Sometimes there are lights, sometimes there's someone holding a reflector, etc. etc.

Occasionally I will also stage shots so that they look natural, i.e. I will set up my camera and have someone stand somewhere and act as if they were doing something. When I shoot pictures without people in them I will move things around and arrange them if it makes for a better picture, especially when I'm shooting large format and take my time to analyse the picture on the groundglass. Most often I just move things out of the frame if they're in the way. Sometimes I close a door or open it depending on what I want to convey. It get's quite tricky, though, once I really start moving stuff around and placing them in different spots as it has the tendency to look too contrived. It's quite hard to arrange something so that it does not look arranged. It's a bit like telling someone to 'look natural'. Hardly ever works. For this reason I often try to make it work the way it is first before I move something.
 
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