back alley
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i thought that i would be more excited about this camera and then have to start planning to dump the g1...but not so.
no one is more surprised than i.
no one is more surprised than i.
Well yes, I'd assume that it would do badly in a direct comparison with a D300!, it was much slower than his D300 with a 50mm on
I want to put it in my pants like that guy in Spinal Tap.
I mounted my Summilux 35/1.4 preA on the E-P1. The MF is easier than I thought, and I got not problem focusing it with my eyes staring at the LCD.
I only got to play with it for 2 minutes (there was a long long line), so I just watched the LCD and turned the focus tab til I thought it was focused. I went home and checked the photo and found it ok (but I deleted it cause it's a bad shot...). I didn't try the "magnifying while focusing" feature as I have with the Panasonic L1.Can you describe the process of focusing with a manual lens?
Only if you can justify an M8. My interest is two-fold: as a good digital snap-shot adjunct to a film R3A and as a platform for using some of the lenses for the film cameras in a different context - in particular low-light social stuff, so that a 80/1.4 equiv becomes a useful thing to have, especially with IS.In reference to Colman's post above. This whole things feels like twisting yourself into a pretzel to make a camera somehow work for you. Isn't this thing actually a step backward?
Ah, ok. I'm curious to find out if one can leave magnify-while-focusing on, focus on the LCD and compose through the optical VF, sort of like a Bessa-T with a very big RF window.
I've just had a chat with a guy who's tested one, works for the London Camera Exchange. He said it's sad, but it's a fairly slow camera to use. By no means as quick as a DSLR, even a medium to budget one. I'm sad now.