Rick Waldroup
Well-known
I am getting an ep-2 with the 20 1.7 lens in the next couple of weeks. Would any of you recommend the pany zoom over the olympus? Does it focus faster? I really wish there were more prime lens options. I have thought about the 4/3 Olympus 50mm, but am worried about the focus speed of that lens on the ep-2. Does anyone have any experience with that camera/lens combo? Thanks, Rick.
emerica
Member
cableguy55, i like your OOC jpegs in this thread and a couple others. i'm curious - what in camera settings do you use in terms of noise filter, sharpness, contrast?
KEH
Well-known
The Oly 50/2 4/3 macro focuses absurdly slowly on my EP2 (with new firmware). Great lens, but really only usable with manual focus.
Kirk
M4streetshooter
Tourist Thru Life
Rick,
The Panny zoom is way better than the Oly.
To start, the build quality is far superior on the Panny. It also focuses faster than the Oly.
It's sharper and has better contrast all across the range...
I have the Pen 1 & 2 and use the Panny glass except for the cool 17mm....
The Panny zoom is way better than the Oly.
To start, the build quality is far superior on the Panny. It also focuses faster than the Oly.
It's sharper and has better contrast all across the range...
I have the Pen 1 & 2 and use the Panny glass except for the cool 17mm....
awilder
Alan Wilder
Great OOC JPEG shots Cableguy55, what picture mode do you recommend as a good starting point with the E-P2? Also, what adjustment parameters do you use within that particular mode, specifically contrast, sharpness, saturation and effect? Is the maximum too much when doing parameter adjustments?
kuzano
Veteran
I asked my lady friend.....
I asked my lady friend.....
I asked my lady friend the other night if she could see the distortion and chromic abberation in the pictures with my Pen. She just looked at me like I was from another planet.
I didn't have the heart to tell her that I am, but I think I will stop worrying about things like distortion, chromic abberation, center sharpness, edge sharpness and LPM throughout the angle of view.
I think I will just focus on taking pictures.
I asked my lady friend.....
I asked my lady friend the other night if she could see the distortion and chromic abberation in the pictures with my Pen. She just looked at me like I was from another planet.
I didn't have the heart to tell her that I am, but I think I will stop worrying about things like distortion, chromic abberation, center sharpness, edge sharpness and LPM throughout the angle of view.
I think I will just focus on taking pictures.
Vince Lupo
Whatever
Well I finally had a chance to take some shots yesterday with my new E-P2 and 20/1.7 combo, as well as this morning over breakfast with friends and my wife (also a friend!).
First Impressions: The camera handles great. I love the intuitive feeling, and the rapidity with which I could work. The image quality - well I'll let you guys be the judges.
So at the large Super-Fine JPEG setting at the 4:3 ratio, they work out to be about 34.9mb files (about 9.6"x12.8" @ 314 dpi). Don't know what the RAW file sizes would be like, but from what I've heard, there isn't much of a qualitative difference between the large SF JPEGS and the RAW images.
These shots are straight from the camera, and simply made into 72 dpi JPEGS with '10' compression level. Colour outdoor shots were done at ISO 100, and the B+W and colour indoor shots were done at ISO 500 (I seem to recall!). All shots were taken with the 20/1.7 Lumix lens.
First Impressions: The camera handles great. I love the intuitive feeling, and the rapidity with which I could work. The image quality - well I'll let you guys be the judges.
So at the large Super-Fine JPEG setting at the 4:3 ratio, they work out to be about 34.9mb files (about 9.6"x12.8" @ 314 dpi). Don't know what the RAW file sizes would be like, but from what I've heard, there isn't much of a qualitative difference between the large SF JPEGS and the RAW images.
These shots are straight from the camera, and simply made into 72 dpi JPEGS with '10' compression level. Colour outdoor shots were done at ISO 100, and the B+W and colour indoor shots were done at ISO 500 (I seem to recall!). All shots were taken with the 20/1.7 Lumix lens.
shadowfox
Darkroom printing lives
Ah, that's my first thought as well. There wasn't Tintin in Vietnam in the series.