I usually have both Ms with me wherever I go whether it's locally or abroad. M3 is always B&W and the M6 usually has color, positive or negative. If I have to travel really light I'll pick one for what I think I'll encounter or as the mood strikes me.
I'm all digital now but not long ago I would shoot colour digital and B&W film on holiday - it's the B&W pics that I remember and revisit from time to time 🙂
Any time my wife and I travel to Oaxaca ( Mexico ) it's always transparencies that are
loaded and a couple of B&W rolls in the bag. Way too colourful for just B&W. Peter
I stress myself about this decision every time I go on holiday and every time I get back I wish I hadn't bothered with colour. When will I learn my lesson?!
Last trip to Itally I took my M6 with Tmax100, Portra 160 and Ektar.
I bring my two Bessa R's, one with wide angle and the other with 50 mm lense, loaded with black and white. I use a point and shoot digital for color and snapshots. Going to St. Genevieve, MO next month and plenty of antebellum architecture to shoot.
BW film only, but if I'm traveling with my wife, she'll have color digital that I can borrow if I need to. I do better to keep my head in one direction. That color stuff is hard.
Wow, can't believe I started this thread 6 years ago and it is still going!
Many things have changed and I have taken a hiatus from film photography and photography in general.
Making my way back again and I am restructuring my collection of great cameras and lenses.
Will most likely end up doing colour film and digital colour and B/W.
Time will tell 🙂
If I am headed up the side of the mountain to Machu Picchu I am less concerned with color so I am pulling the black and white out.
If I am headed to Pella, Iowa to photography the tulips I am bringing the Provia and Velvia and hoping for gorgeous blue skies with puffy white clouds.
Most of the time I carry both. Color negative or slide film for the Rolleiflex and black and white in the M-A or LX.
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