MartinL
MartinL
IMO, Gabriel's parking lot shot and Mackigator's figure-in-field are both examples of flare that adds value.
In both cases it feels like the flare is as much of a corporeal element of the scene as the cars, the light standards, the grasses, or the figure. Flare belongs in the photos because if one were present that's what he would see. The lens captures the flare; it does not create it.
I like Raid's Portugal shots, but it seems that if I were present on scene my eyes would accommodate the (essentially) overexposed lights and I would not experience it as I do in the photo.
In both cases it feels like the flare is as much of a corporeal element of the scene as the cars, the light standards, the grasses, or the figure. Flare belongs in the photos because if one were present that's what he would see. The lens captures the flare; it does not create it.
I like Raid's Portugal shots, but it seems that if I were present on scene my eyes would accommodate the (essentially) overexposed lights and I would not experience it as I do in the photo.