I love the C-Sonnar. In a fit, I sold mine, as I was using my 50 lux more. But I like the 50mm FL, and should have likely kept it, as sometimes I consider re-buying :bang:
I loved the look of the OOF areas, a bit smoother than my occasionally articulated lux.
2011_11_15_China_BW_IMG315_DxO by
ndjedinak, on Flickr
I didn't always nail the focus shift compensation properly, but done well its a wickedly sharp lens with a gorgeous fall-off into OOF.
Maybe the only 50mm lens I've owned better in that regard was the vintage Summarit. Loved that lens, also. I miss it the most.
Back to the C-Sonnar. I particularly liked the detail it held in the shadows. The lens wasn't low contrast like the summarit, but really seemed to open up shadows while holding contrast.
2011_12_7_M3_IMG25_DxO by
ndjedinak, on Flickr
I liked it better in B&W, but that's likely my poor photoshop skills in balancing color. I've seen stunning results in color.
90700021_DxO by
ndjedinak, on Flickr
I used it extensively on a trip to china, and I was quite surprised at the sharpness when stopped down.
2011_11_15_China_BW_IMG381_DxO by
ndjedinak, on Flickr
2011_11_15_China_BW_IMG327_DxO by
ndjedinak, on Flickr
2011_11_15_China_BW_IMG314_DxO by
ndjedinak, on Flickr
In the end, though, it's all about the bokeh for me with this lens. Although given a little too much 啤酒 I started envisioning lovely nur-bokeh shots. Haha.
2011_11_15_China_BW_IMG292_DxO by
ndjedinak, on Flickr
I'll likely grab another one sometime. Maybe I should, now, to shoot on my XPro. Anyone used it there?