ruben: How do you feel about this camera after many months of ownership, and presumably, many rolls of flim?
Does the lens live up to expectations? How is the contrast? How is the flare? How is mechanical & electrical reliability? What battery do you use? Did you get used to the noisy, ratchety film advance, or do you still consider it a sin? I briefly had an Olympus 35SP. AWESOME film advance, awesome lens, but the meter was out of whack. I also have a Canonet GIII, which I like a lot, but not for manual exposure and the film advance feels cheap, even if it isn't.
I bought one from greyhoundman because I like the high-spec lens of my Yashica GS, but miss metered manual exposure mode and auto-exposure lock. (it has to have ONE of them...) At least that's the reason I give myself and my wife, hehehe.
😱 Oh Ruben- you couldn't resist dissecting your S2 could you?
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Brian
Hi Ruben, if you happen to find any resource about Auto S2 electrical part, can you please share it?
I'm trying to restore an Auto S1.6 which, as jody36 pointed out, is probably the same camera with a different lens, but some cables are cut and other are missing. Pictures of the open body would be very useful too, so I can figure out what is missing.
Now start walking around your house looking what device are you going to dismantle in order to find such thin cables.
In my camera no electrical part is missing. Just the two cables (plus and minus I assume) have been cutted from the front cell. Now, from here there are several minor but annoying problems:
a) which cable should be soldiere to which side of the cell ? this in principle should be no problem and either doesn't matter or you can be able to test by experience. But then comes problem b)
b) the original cables (perhaps wires in better English) are very short, even to soldier them back out of knowledge, not to speak about temp arrangements to test who is who. Therefore I should find small additional wires to soldier to the original ones and then the job will be very feasible. But then comes problem c)
c) There is no much free space out there inside the compound, and therefore the additional cables should be closely thin to the original ones. Now start walking around your house looking what device are you going to dismantle in order to find such thin cables. Of course that our friends livin in big cities will have no problem to make a short trip to the electricity supplys quarter of their city, but those of us living in the desert have it more difficult.
Finnally the soldiering activity should be performed taking greatest care of the lens, I think dismounting should be done.
Cheers,
Ruben
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b) don't know about original wires length, not having them :-( but if you unscrew front element lens there is probably enough space to work
c) it is probably better, if you need to extend wires, to unscrew entire lens and focus element from the body, but this requires removing the camera leatherette.......
Here is the Zabritsky point to confess that in these sort of lens dismantling I am always afraid of altering the accurate positions when re-screwing.
Hmmm....,
Now, Lukino if you don't have wires at all, i, e, a minimal starting point, why do you insist with an f/1.6 instead of an Auto S2 with and f/1.8 - or if you want go lower, start CLA a Yashica Lynx 1.4 (in this case choose the older type with the dot and the black pointer on the viewfinder) ?