raid
Dad Photographer
The Leica 50mm lenses will most likely appreciate in value as we have more people buying the M9 with a full size sensor. Get your lens while you can.
excellent
Well-known
Gimme whatever lens M9 users don't want.
Erik van Straten
Veteran
The Voigtländer Color Skopar 50mm f/2.5 is quite some lens...
Erik.
Erik.

raid
Dad Photographer
This thread is about Leica 50mm lenses.
helen.HH
To Light & Love ...
1956 collapsible ...neopan 1600 ...Eric's shot of a passerby....kind of has a Cinematic Noir Coolness 

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Erik van Straten
Veteran
I'm sorry, Raid, but the Color Skopar 50mm f/2.5 is more Leica than Voigtländer.
To smoothen things out, this is the rigid Summicron 50mm f/2 version I, Leica M2, TriX printed on Ilford MGIV fb.
To smoothen things out, this is the rigid Summicron 50mm f/2 version I, Leica M2, TriX printed on Ilford MGIV fb.

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raid
Dad Photographer
I am not putting any other lens makers down, and I want to find out which vintage Leica 50mm lenses RFF members favor and why they favor some lenses and not others.
Thanks, Erik.
Thanks, Erik.
raid
Dad Photographer
1956 collapsible ...neopan 1600 ...Eric's shot of a passerby....kind of has a Cinematic Noir Coolness
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Very cool, Helen.
Or maybe, "Very Cool Helen"?
helen.HH
To Light & Love ...
Lol.....Thanx, Raid
....I love it too
LeicaTom
Watch that step!
Xenon!
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What years your Xenon Vince??? I`m looking for a #491xxx serial numbered one (1939) and I`ll trade my beautiful clean 1936 version #289xxx for a equally fine example
I love the Xenon look, it`s the perfect Leica Black N White lens......
Tom
LeicaTom
Watch that step!
Summarit! (on Pana G1)
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Beautiful shot!
This photo may have finally "won" me over to the Pana G1???? We`ll see
Tom
Ron (Netherlands)
Well-known
I sold my rigid summicron last type, because I found it much to heavy (you can still see it in my signature picture on the M4-2). From your list I sometimes use an old elmar (but prefer its russian cousin) and the most used lens was my 1940 summitar, until I found a nice priced summicron 35mm asph, which are not heavy.
Taken with 1940 Summitar (the pic from my rff gallery)
Taken with 1940 Summitar (the pic from my rff gallery)

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Erik van Straten
Veteran
Leitz Elmar 50mm f/2.8, Leica M2, TriX printed on Ilford MGIV fb.
Erik.
Erik.

Vince Lupo
Whatever
What years your Xenon Vince??? I`m looking for a #491xxx serial numbered one (1939) and I`ll trade my beautiful clean 1936 version #289xxx for a equally fine example~ let me know if you know anyone who`s got a #491xxx one
I love the Xenon look, it`s the perfect Leica Black N White lens......
Tom
Sorry -- just noticed your post this morning (for some reason I don't always receive notification of responses....just me?).
Anyhow, my Xenon is.....ready?.....288252.
Guess that was the wrong answer, eh?
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StaaleS
Established
I rather like what the Summar does to colours...

LeicaTom
Watch that step!
I rather like what the Summar does to colours...
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Very Fine! (prewar uncoated Summitar is simillar as well)
Tom
typhillips
Established
For character, you can't beat the Summar, shot wide open. The bokeh has such an amazing 3-D painterly quality to it. I have gotten some beautiful results, in both B&W and color.
Just don't point it into sunlight! It definitely flares something fierce. I don't even bother with a hood. I just shade the lens with my left hand.


Just don't point it into sunlight! It definitely flares something fierce. I don't even bother with a hood. I just shade the lens with my left hand.
Nando
Well-known
Bingley
Veteran
I recently acquired a '49 summitar:


Mephiloco
Well-known
I'm starting to warm up to my summarit, but it's a little tricky to predict how it'll perform. Really like it being 1.5. Think I need to rethink my developer combination though.
Both shot on Arista Premium 400@400. 1/15th at f1.5. Processed with Rodinal 1+100, stand developed. Maybe a little too much grain.
Some of the shots came out really well, while others shot almost exactly the same had flare which almost completely masked the faces.


Both shot on Arista Premium 400@400. 1/15th at f1.5. Processed with Rodinal 1+100, stand developed. Maybe a little too much grain.
Some of the shots came out really well, while others shot almost exactly the same had flare which almost completely masked the faces.
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