Vince Lupo
Whatever
I do not go oft through this thread because ...I do not need another camera and this thread could be dangerous !
But I have to say that when I visit this thread I find beautiful images, strong and interesting both form the pure visual aesthetic and the content.
Congrats to everyone posting photos here!
robert
Many thanks for the words of encouragement Robert!
Peter_S
Peter_S
Don't think there's any way to improve upon this shot. A real beauty.
Thank you, Vince!
Interestingly, I took and edited that image in December 2017. I always thought "it`s good but something is off, missing". Well, going from 3:2 to 16:9 ratio was the key!
airfrogusmc
Veteran
filmtwit
Desperate but not serious
DwF
Well-known
It's nice stopping in here....while my MM sits in the closet waiting for it's turn in the rotation -this inspires me! Anyway really fine work here as always.
David
David
Vince Lupo
Whatever
Just picked up a 125mm f/2.5 Hektor lens. Really a neat lens in its design.
When I got it I thought the focus was really weird -- if you look at this shot you'll see what I mean:
Wide open at f/2.5 on the Monochrom 246:

125 Hektor Test1 by Vince Lupo, on Flickr
It almost looked like something from a 1930's Summar or a 73mm Hektor wide open. Plus it didn't want to focus at infinity. I sent it to the Camera Wiz himself, Frank Marshman, and he gave it the overall spit'n'polish. At first he couldn't figure out why it was focusing the way it was. But he finally came to the conclusion that perhaps - just perhaps - the rear element had been installed backwards by a previous repair person. He tried that and.....

125 Hektor Test2 by Vince Lupo, on Flickr
Yeah just a bit of a difference! So now the lens focuses perfectly, infinity is now where it should be, and all is right with the world. Of course the photos are likely going to be a lot more boring than when the rear element was backwards!
When I got it I thought the focus was really weird -- if you look at this shot you'll see what I mean:
Wide open at f/2.5 on the Monochrom 246:

125 Hektor Test1 by Vince Lupo, on Flickr
It almost looked like something from a 1930's Summar or a 73mm Hektor wide open. Plus it didn't want to focus at infinity. I sent it to the Camera Wiz himself, Frank Marshman, and he gave it the overall spit'n'polish. At first he couldn't figure out why it was focusing the way it was. But he finally came to the conclusion that perhaps - just perhaps - the rear element had been installed backwards by a previous repair person. He tried that and.....

125 Hektor Test2 by Vince Lupo, on Flickr
Yeah just a bit of a difference! So now the lens focuses perfectly, infinity is now where it should be, and all is right with the world. Of course the photos are likely going to be a lot more boring than when the rear element was backwards!
swatch
Established
28.07.2019 Hong Kong Victoria Harbour at evening ( 50 lux pre-asph with orange filter )
http://[url=https://flic.kr/p/2gKphFo]
20190728-L1137971 by Vincent Lo, 於 Flickr[/URL]
http://[url=https://flic.kr/p/2gKphFo]

Vince Lupo
Whatever
helen.HH
To Light & Love ...
Love this One Nigel.... so gooood !
helen.HH
To Light & Love ...
Georgia, Caucasus.
M246, Heliopan orange filter, Voigtländer Ultron f/1.8 21mm.
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Wonderful , Sublime !
helen.HH
To Light & Love ...
![]()
Using a red filter to enhance contrast . . I liked the reflections in the restaurant window on the left.
MM1, M-Rokkor 28. The Hague NL
I would keep working with the red filter... Lovely contrast
Beautiful gradation of tonal range, yummy good Alberti !
helen.HH
To Light & Love ...
Beautiful portrait of the Mrs You posted earlier (that ‘freakscene complimented in post 5087)
And
This SP is Great too !
Vince Lupo
Whatever
Many thanks Helen - I do appreciate it!
Vince Lupo
Whatever
Working remotely at our Canadian wilderness property -- not sure if these are too dark, too contrasty or not, but we'll give it a try. I'm sure I'll have to work on them again when I'm back in front of my large screen computer.
All taken with the wonderful 35/2 goggled V1 Summicron, all at about f/2.8:

New Grey Owl2 by Vince Lupo, on Flickr

New Grey Owl1 by Vince Lupo, on Flickr

Frontenac2 by Vince Lupo, on Flickr

Frontenac1 by Vince Lupo, on Flickr

Grey Owl Tall Grass by Vince Lupo, on Flickr

Birdwatching Riley by Vince Lupo, on Flickr

Grey Owl Friends by Vince Lupo, on Flickr

Crow Lake Schoolhouse by Vince Lupo, on Flickr
All taken with the wonderful 35/2 goggled V1 Summicron, all at about f/2.8:

New Grey Owl2 by Vince Lupo, on Flickr

New Grey Owl1 by Vince Lupo, on Flickr

Frontenac2 by Vince Lupo, on Flickr

Frontenac1 by Vince Lupo, on Flickr

Grey Owl Tall Grass by Vince Lupo, on Flickr

Birdwatching Riley by Vince Lupo, on Flickr

Grey Owl Friends by Vince Lupo, on Flickr

Crow Lake Schoolhouse by Vince Lupo, on Flickr
Vince Lupo
Whatever
Still on the road. With the goggled 35/2 Summicron V1 wide open.
Now I know why this is my favourite lens.

Blacksmith's Apprentice 2019 by Vince Lupo, on Flickr
Now I know why this is my favourite lens.

Blacksmith's Apprentice 2019 by Vince Lupo, on Flickr
Alberti
Well-known
A study of subtle shades of black and white
Downtown Rotterdam. MM1

Downtown Rotterdam. MM1
Alberti
Well-known
All that was left over was a paw sticking out
Near Amsterdam. MM1 + Nik

Near Amsterdam. MM1 + Nik
Alberti
Well-known

The Hague, NL.
MM1 + M-Rokkor lens
Vince Lupo
Whatever
Another one with the goggled 35/2 Summicron, wide open, ISO 1250.

Blacksmith's Apprentice 2019 #3 by Vince Lupo, on Flickr

Blacksmith's Apprentice 2019 #3 by Vince Lupo, on Flickr
DwF
Well-known
Maple Beach at Point Roberts Wasington
Maple Beach at Point Roberts Wasington
The negative tide causes a "dry dock" for the resident's boats here. Please click on image to enlarge.
28mm Elmarit v4
Maple Beach at Point Roberts Wasington

The negative tide causes a "dry dock" for the resident's boats here. Please click on image to enlarge.
28mm Elmarit v4
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