anselwannab
Well-known
Posted much earlier in the thread:
Egor's test photos show little difference in tonality, DR, and resolution between M240, MM9, and MM246 at base ISO, but significant differences as the ISO is elevated into the ISO 6400+ range.
G
I don't know how to reconcile Erwin and egor's data and conclusion.
From PartI of Irwin's MM-II series.
a metaphor we might say that choosing the Monochrom II (or a black-and-white emulsion for the M-A)is like an artist who trades in his plate with brushes and paints for a set of needles and a simple metal plate.
The effects possible with the computer programs are restricted to the classical darkroom techniques of change of contrast, of exposure and cool/warm-tone choices. The Monochrom II is eminently suitable for the photographer who wants to spend as less time as possible behind the computer screen and wants to shorten the workflow from shot to (inkjet) print. One might even state that the Monochrom II forces (or less intimidating: invites) the photographer to shorten the workflow and to optimize the relevant parameters during the shooting session.
Ok, I'll be a heretic, but Irwin doesn't seem to like B&W photography and doesn't seem to understand why a lot of people like Leica's. Less computer, more camera- can I see a show of hands here? 😉
Painters paint in color because they can control it. As photographers we can't control color, so frankly outside of documentary/portrait style shooting, I'd rather concentrate on composition- which is something that I can control. I understand that is my bias and is reflected in the shots I take.
If I didn't know better I'd say Irwin doesn't like MM cameras. It seems he'd prefer shooting in color and converting- and he found data that seems to support this.
