ColSebastianMoran
( IRL Richard Karash )
OP asked about making 11x14 prints from 6x9 films. Has 24MPx DSLR, 55 f/3.5 Micro-Nikkor, and V500. Here are my comments for trying this equipment and others.
- The V500 will make a good 11x14 print. I've tested 20x30" prints from my V600.
- The 24MPx camera-scan with excellent macro lens and perfect focus will be better. Difference for me is visible in 20x30 prints with close naked-eye inspection.
- The 55 f/3.5 Micro-Nikkor should be good at the magnifications you'll use for 6x9 film to your DX body. (55 f/2.8 is better at 1x; at 1:3 for your application, your lens should be just fine)
- Biggest challenges I see in your quest are focus, film flatness, and alignment. I am unable to get good cam-scan focus thru the view-finder. Instead, focus with Live-View and magnification. Take care with alignment.
- What about film flatness? Test corner focus vs center focus to see if a problem. To deal with flatness, you could use wet mount to glass. You could use ANR glass on non-emulsion side, plain glass on emulsion side; this works very well. But the simplest would be a series of shots focusing on corner, then mid-corner, then near center and finally center. Let Photoshop merge these for focus stacking.
I too have both kinds of equipment; I've gone over 99% to camera-scanning. Much faster, excellent results, and I have more control more easily.
- The V500 will make a good 11x14 print. I've tested 20x30" prints from my V600.
- The 24MPx camera-scan with excellent macro lens and perfect focus will be better. Difference for me is visible in 20x30 prints with close naked-eye inspection.
- The 55 f/3.5 Micro-Nikkor should be good at the magnifications you'll use for 6x9 film to your DX body. (55 f/2.8 is better at 1x; at 1:3 for your application, your lens should be just fine)
- Biggest challenges I see in your quest are focus, film flatness, and alignment. I am unable to get good cam-scan focus thru the view-finder. Instead, focus with Live-View and magnification. Take care with alignment.
- What about film flatness? Test corner focus vs center focus to see if a problem. To deal with flatness, you could use wet mount to glass. You could use ANR glass on non-emulsion side, plain glass on emulsion side; this works very well. But the simplest would be a series of shots focusing on corner, then mid-corner, then near center and finally center. Let Photoshop merge these for focus stacking.
I too have both kinds of equipment; I've gone over 99% to camera-scanning. Much faster, excellent results, and I have more control more easily.