Keith
The best camera is one that still works!
It's good that he's prepared to use current technology to achieve his artistic goals ... but I still have trouble using 'Daido Moriyama' and 'digital workflow' in the same sentence!
It's good that he's prepared to use current technology to achieve his artistic goals ... but I still have trouble using 'Daido Moriyama' and 'digital workflow' in the same sentence!
I saw Daido speak at the Japan Society last year. He told the audience that he is now using Nikon.
It has to be said, he has friggin' glorious hair.
I doubt he waists much time in front of a PC learning the tricks and quirks of Adobe software products ... 😀
Thanks for the link, really enjoyed watching it. It's interesting to see him looking through the 'viewfinder' so to speak, considering that not doing that was a bit of a signature for much of his career up to this point.
I doubt he waists much time in front of a PC learning the tricks and quirks of Adobe software products ... 😀
HCB didn't print his own images...
Was it Andre Kertesz who got into an SX-70 in his old age? Or maybe Walker Evans. Or both.I'd imagine they're at least easier to duplicate perfectly. Maybe that would affect the "collectibility" of his prints in the art market..?
Nice to see a master of his genre at 73 years old unafraid to modernize his working methods, regardless of whether digital or film is a personal preference of mine.
Maybe he should have.
The HCB images I've seen in person are really not impressive, super low contrast and blah. Could be the age of the prints or the style of the day.
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Was it Andre Kertesz who got into an SX-70 in his old age? Or maybe Walker Evans. Or both.