NOLAroids -- My 195 went on a road trip

Harry Caul

Well-known
Local time
1:04 PM
Joined
May 3, 2010
Messages
241
I mentioned elsewhere in one of the Polaroid-related threads (can't remember if it was here or in large format) that I recently took a road trip to New Orleans and brought my 195. Well, I finally got them scanned and I'd love to here your thoughts. This was mainly just a fun travel series -- so don't be too hard on me 🙂 Between my friend and I, we shot about 5 packs -- a mix of color (Fuji PF100C) and B&W (FP3000B). We got some great keepers, better than 50% hit rate. And being an amateur who almost never prints, the instant gratification and tangible results can't be beat! I want to start taking more trips so I have an excuse to use my 195 more... it was tons of fun.


Starting our drive down. A took a similar shot with my Oly OMD and I could focus on the mirror and get the driver's eyes mostly in focus as well. However, the DOF is so shallow on the 195 (w/100 ISO film) that nothing but the mirror was in focus here. And parallax issues precluded me from lining up the eyes properly. Ooops.

U36898I1368499850.SEQ.0.jpg



A reflection of our ride. It was taken from the back seat nearly hanging out the window -- the strong wind being probably the first of many abuses to my bellows during the trip.

U36898I1368499850.SEQ.1.jpg



A pic of my buddy during pit stop in MS.

U36898I1368499851.SEQ.2.jpg



A shot he took of me.

U36898I1368499851.SEQ.3.jpg



Dead sea turtle washed up on the beach near Bay St. Louis.

U36898I1368499852.SEQ.4.jpg



Another one of my buddy while we were traversing back roads looking for gators.

med_U36898I1368504048.SEQ.0.jpg



Despite my friend being a professional photographer, he has always shot D/SLRs and he missed a few times with the rangefinder -- in his defense the 195 can be a fickle mistress! With this shot he peeled it, got pissed at himself for missing the focus, and then just slapped the neg back on top of it in disgust. It sat in the car all day like that before I peeled it again later. I actually love how it turned out. Happy accident.

U36898I1368499899.SEQ.0.jpg



Kicking back with some cold ones with my driving buddies after another long day on the road. I think this was taken on Decatur St.

U36898I1368499899.SEQ.1.jpg



Taken the next morning on a photo excursion -- my friend was still intent on seeing gators. This shot of the burnt out car was taken in the 9th Ward amongst a bunch of ultra-modern/solar powered Brad Pitt houses during a pit stop on our way out to the swamps. It was crazy, 7 years on and most of the area was still just a bunch of cement slab foundations overgrown with weeds. In this particular area probably only 1 in 20 houses had been rebuilt since Katrina.

U36898I1368499900.SEQ.2.jpg



Finally made it out to the swamps in national park to the north-east of the city. Trying to take wild life photos with a Polaroid is really not recommended ever, what with the wide (~35mm lens). However, it is especially not recommended in the swamps where the interesting critters are gators and snakes! This is a shot of a water moccasin sunning himself on some reeds. To get it I had to precariously hang half off the pier over the water, arms outstretched. In retrospect -- WTF was I thinking?!? 😱

U36898I1368499900.SEQ.3.jpg



I'm not much of a street shooter -- too modest to snap without approval. However, having a Polaroid with the possibility of instant results is an interesting experience. With this shot I started a 1-for-1 series with strangers. I asked if I could take their picture, and in return I would take a second for them to keep. This was a fisherman who was using his net to find grass shrimp at the base of the reeds near shore. He would collect them for bait before going out on his boat.

U36898I1368499900.SEQ.4.jpg



And then in the middle of the swamp we saw the damnedest thing -- a photo shoot with a couple of models. I was a little reluctant to approach. However, I was using the 195 to document my trip, right? And how could I not take this shot? I introduced myself, apologized for interrupting, asked if I take a quick picture, and then took a second one for them to keep. On the way back to the car my friend commented that the photographer was using a DSLR with kit lens, no reflectors, no flash, no assistant and shooting in full sun at noon. He was assuming the models would be asking why his shots didn't look as good as the Polaroid 🙂

U36898I1368499958.SEQ.0.jpg
 
This was taken by my buddy back after returning to the city. Love the framing and those Fuji colors!

med_U36898I1368499958.SEQ.1.jpg



Then we met with a friend who used to live near us but moved to NOLA a few years ago. She is a rock star – in every sense but the literal one! My buddy took this awesome shot of her standing in front of the guest house we stayed in. Notice how the floor of the patio, the railing and the yellow siding are all parallel to the street – now look at the door! NOLA is that kind of place…

U36898I1368499959.SEQ.2.jpg



This shot is crazy. This anchor is the ‘Unknown Slave Memorial’ outside a Catholic Church in Treme. Just before this was taken we had been walking around the neighborhood and I (stupidly) had the bellows extended. Well, I turned and ever so slightly bumped the bellows into something (can’t remember what). This is where my light leak started and it was particularly noticeable after switching to the 3000 ISO B&W film. Anyway, the leak manifested itself in quite a ghostly way given the context of the shot.

U36898I1368499959.SEQ.3.jpg



Another shot of our friend taken by my friend.

med_U36898I1368499959.SEQ.4.jpg



My friend had commandeered the camera at this point and took this shot at a canal, sadly I can’t remember where exactly. I do know there was a beautiful sunset and an epic rope swing (see below).

med_U36898I1368500005.SEQ.0.jpg



Said rope swing – my buddy attempting a panning shot.

med_U36898I1368500006.SEQ.2.jpg



Take two.

med_U36898I1368500005.SEQ.1.jpg



This was taken as the sun was almost set. My photographer buddy was wanting to experiment with his flash, but he forgot the cable needed to remote trigger (which is possible on the 195 and yields spectacular results). So began a 30 minute attempt at him shooting in bulb, while I held a soft box over my head and our other friend manually popped the flash by jabbing at the 'test' button with the tip of his pocket knife (another use!). This was the worst of the bunch from a technical standpoint, but I love how it turned out the best!

med_U36898I1368500006.SEQ.3.jpg



Another 1-for-1 shot with a very reluctant bartender. It took me 10 minutes of convincing and probably double that with her contemplating whether to “go through with it” or not. In retrospect I should have cut my losses and moved on – but I had a cold beer and was with friends so I wasn’t in a particular hurry…

med_U36898I1368500006.SEQ.4.jpg



The cavalry on Burbon Street.

med_U36898I1368500050.SEQ.0.jpg



My buddy grabbed this one of the balcony across the street with people asking for beads in the foreground.

med_U36898I1368500050.SEQ.1.jpg



Me drinking. On the street. I love NOLA. Hey look at that, my buddy managed to hit the focus this time 😉

U36898I1368500051.SEQ.2.jpg



Another 1-for-1 with an accordionist. Notice the light colored band about 1/3rd of the way up. It started showing up a few pictures back, but it was more noticeable in this shot. Hmmm…. probably old development goo building up on the rollers. It's hard to remember to clean those between each pack change when scrambling to reload it so you don't miss any shots.

med_U36898I1368500051.SEQ.3.jpg



This shot was taken on our way home the next day. Our other traveling companion was intent on seeing a gator and we hadn’t come across one yet. So he took us to the spot where his dad used to take him as a kid – off Interstate 10 heading east out of NOLA (somewhere near here). Mind you, there was no off ramp. We just parked on the shoulder and walked out on a bridge overlooking an open area in the swamp. There were 18-wheelers whizzing by at 70mph 10 feet behind us while we were tossing Vienna sausages out of a can at two gators. Finally found them! Although apparently they were babies so my friend was still disappointed. Anyway, I had my Polaroid out with bellows extended and we were facing the sun while we were feeding the gators. By the time I took my shot the sun had more than overpowered this uber-sensitive B&W film. Still I loved the shot.


med_U36898I1368500052.SEQ.4.jpg
 
Hope you enjoyed the shots. Wow, what a fun camera to take on a trip like this!

After returning home I had to touch up the bellows with liquid electrical tape. It worked for a while, but it's starting to crack again just a few weeks later. Can anyone recommend anything better/more permanent?
 
Grand photos!

You inspire me. I just received the remote shutter release and tripod adapter for my SX70, and I have three packs of the Impossible Project Color Protection film sitting right here on the desk. Time to put them to use ... 🙂

G
 
Great set! I am glad fuji is still continuing to make peel apart polaroids for a decent price. The colors are superb and love how 3000 film shows little or no grain.
 
Wow, I'm humbled by all the positive comments, both here and in the gallery! I'm a firm believer that photographs should be able to stand on their own. However, in this particular case I think they benefited from a bit of back story. And I thought it might also help future Polaroid shooters to know about some of the quirks with using this camera.

Thanks everyone!
 
Really good photos, that Fujifilm instant film is way nicer than I would have expected. I think a Polaroid camera is in my future somewhere.

That beautiful hunk of glass on the front of the 195 doesn't hurt either. While focus can be tough with such limited DOF, it's a joy to shoot wide open.
 
That beautiful hunk of glass on the front of the 195 doesn't hurt either. While focus can be tough with such limited DOF, it's a joy to shoot wide open.

And there was me thinking about getting one of those Polaroids converted to 4x5, when really I could just leave it as a Polaroid...
 
Ha! My friend just sent me the companion picture to this shot:

U36898I1368499900.SEQ.3.jpg


Gotta love those iPhone colors... am I right? 😱

U36898I1368541467.SEQ.0.jpg


That snake was probably 5+ feet long and I was only about 6 feet from it. Not to mention my head would be perfect gator bait!

On a side note... I considered cloning in some hair in my balding spot, but given the controversy over the World Press Photo 2013 award I thought best to leave it be :angel:
 
ABSO-FREAKIN-LUTELY AMAZING WORK! Thanks so much for sharing. Your images and the accompanying stories are killer. Looks like the trip was a blast and your images are stunning.

Thanks for sharing! 😀
 
Love the instant work! By the way that "canal" looks like what we call Bayou St. John. It runs throughout Mid City. Sound familiar? Great work.
 
Love the instant work! By the way that "canal" looks like what we call Bayou St. John. It runs throughout Mid City. Sound familiar? Great work.

That's the one! Thanks for putting a name to it for me.




By the way, I got a question via PM as to what I did to process these. Here was my response:

As for the processing, believe it or not I didn't really do much of anything to them. The colors on the FP100C are amazing straight out of the camera and the tones and lack of grain on the FP3000B are sublime -- when you can nail exposure of course, which can be tough. The film stock is glossy, and scanning them seemed to soften them up so I had to sharpen quite a bit on these to get them back to what I'm seeing in person. Other than that all I did was white balance using the white border. And the B&W's were digitally converted to proper B&W files so the subtle colors from the left over development chemicals on the white border were lost on those shots.

That was honestly it. I tried to keep them true to what I was seeing on the prints.


EDIT: Thinking back, I lied. On the shot with the fisherman and the one with the accordion player I lifted the exposure by a half stop or so and then re-darkened the shadows accordingly. Here are the before and afters:

AS SCANNED:

U36898I1368546343.SEQ.1.jpg


AS POSTED (lifted exposure a touch, sharpened, converted to B&W):

med_U36898I1368500051.SEQ.3.jpg



AS SCANNED:

U36898I1368546343.SEQ.0.jpg


AS POSTED (lifted exposure just a touch, sharpened, auto-white balanced using the white border):

med_U36898I1368499900.SEQ.4.jpg
 
Wow, what a story! And so many beautiful pictures! They are alive! I love the Fuji FP-3000B film. Unfortunately there is no 100/400 iso B&W to use outside in bright sun. I'll try with a red filter to reduce the amount of light...maybe.
robert
 
You know I ran into a guy who took my portrait with my girlfriend at Ferret Street Fest with the Fuji Instax 210.... When he gave me the print, I was shocked. So beautiful. What a great instant print. Now hangs on my refrigerator.

I thought the colors were perfect, and the tonal pallete was nice a soft. Made me want to buy one badly. Loved your trip through NOLA.

Did you finally see a Gator? Or eat some gator? P.S. Next time you come back you should really stop at Jean Lafitte. Sometime the gators sunbathe on the board walk. Perhaps that is where you went, but I can't really tell from the images you posted. The are pretty active in the summer time.

EDIT: I just saw that you finally found one. You are freaking crazy for stopping right there on the interstate. That is a pretty common place for accidents (I-10 east). Glad you saw one. Another good way to find them is to get in a canoe late at dusk with a flashlight and look for eyes.... Scary 🙂
 
Lovely work.

How did you meter? I have a 195 and don't often take it out. You've inspired me to put mine in my bag.

Also - what did you do with the peeled shots to keep them safe once you peeled them? I never seem to have enough hands and end up in a bit of a muddle, especially if I'm shooting in a busy place.

Cheers
 
Back
Top Bottom