I have GAS for the VA-185 amp and getting “Red” back.
There is a funny story because Red was a custom built guitar for a guy named Steve a very great Jazz player. I played Steve’s basically brand new freshly built guitar at a debut guitar show out at Long Island for Cris who had at that point quit his day job as a nurses aid in a hospital to build guitars.
I knew Cris when he was just a kid, and Steve the new owner of Red I approached and mentioned how much I loved his guitar, and Ihoped he would not mind if I had Cris make me an exact copy.
The backstory here is that Steve among his talent was also OCD and as Cris built Red there were constant changes, modifications, and upgrades. Steve drove Cris nuts.
So after the show I get a call that Steve approached Cris about yet more changes, and that it seemed logical that if I wanted Red “as is” basically a just completed brand new guitar that I could stop by and pick it up. Cris said it would be easier for him to just build Steve a new guitar.
So I have a deep reputation of annoying people, and every time I visited Cris I would bring along Red, and every time Steve would show up. Red opened up nicely and became a truely special great guitar, and pretty much Steve had very deep remorse for letting her go. There was anguish, and it became the standing joke in the circle of friends.
The funny thing though is I was not trying to be mean, but somehow every time I came by Steve somehow was expected to show up. He would play Red and express his remorse. It became great entertainment. It seemed overtime the remorse just got worse and worse.
My friend Dave was also annoyed because he stated that I actually had the shortest wait time for a new guitar. Dave had placed an order and of course his guitar got bumped so many times… Actually it was Dave who called me and gave me the heads up that if I wanted Red that I should call Cris imediately.
I did, and the rest is history.
Anyways the torment and torture of Steve likely will be on-going when he sees a totally revamped Red which actually was an early Mirabella guitar that could be looked upon as a prototype. Cris is a builder of importance as far as archtops go and is next inline to be the “Man” when John Monteleone passes.
John Monteleone is so relevant that there was a exhibit of his guitars at the MET. Rudy Pensa, the “Godfather” of 48th Street, made a documentry about his craft.
Back 20 years ago when Cris was transitioning from a part time builder to full-time with no day job in 2004 I witnessed John Monteleone and a high end vintage guitar dealer, Larry Wexler, “grooming” Cris. It pays to be a smut queen, and I kinda knew that Cris was destine to become the next “Man.”
After getting Red I immediately placed an order and struck a deal with Cris to make me a “Blue” guitar. Pretty much an open order that would be a blank slate.
Cris was not included in a pool of all the high end archtop builders, where this owner of the GNC heath and vitamin chain gave a can of blue lacquer to the top builders to create a competition and freedom of expression that kinda dates back to medieval times of patrons.
Scott Chinnery died and somehow the collection of “Blue” guitars was acquired by the Smithsonian as part of their collection. Pretty much National Treasure.
I’m still waiting for that guitar that has been fully paid off. Very shortly after I commissioned my “Blue” guitar though Cris developed a “Trap-Door” guitar affectionately named “Carmela” that has a brown burst finish. This 17 inch wide archtop was a prototype for the 18 inch version Cris wanted to eventually build for me.
“Jane” is the name for the 18 inch wide trap-door guitar that is being finally assembled. The guitar will no longer be blue, and the name is after Jane Mansfield because Jane th guitar will be a big blonde.
The wood being used on Jane is from Jimmy D’Aquisto’s estate. This was wood that Jimmy put on the side and kept as a stash. Precious prized wood that was reserved by likely the best builder that ever lived.
Carmela jump started and really propelled Cris’s career and reputation. I am somewhat responsible. So now you know why I am an insider who gets all kinds of favors. I helped make history and a legacy. The two guitars I own that are Mirabella’s are historically valuable.
I am also having GAS for a Tele solid body that would feature just a Charlie Christian neck pckup. I think come the new year I will place an order for a body. I already have a spare neck and bridge for this project. It seems that a Charlie Christian pckup is a great pickup in a Tele body. Many great artists do this, but the Charlie Christian pickup s such a unique sound that the bridge pckup is not really useful.
My logic s just cull out a bridge pickup and streamline the guitar as a form of reverse “Esquire.” Know that a Fender Esquire is basically a Tele with only a bridge pickup.
Cal