The sonic blue Tele Thinline is strung up and set up. Acoustically mucho loud and plugged into an amp speaks with authority with a big midrange. The treble is a bit curbed when the alder is compared to my swamp ash thin line.
A very open sound, and there seems to be this large amount of “swell” to the decay of notes and chords. Also seems like the chords are more organ like sounding together rather than piano like that seems to have greater note separation. Notes on the alder body seem more slurred together.
Interest and inspiring. Kinda like having two different girlfriends…
As I suspected the roasted maple plays well without need of any fret leveling. I love it…
I have to remove the strings and trim of the nut, or can just play the guitar as is and do this cosmetic neatening when I change strings sometime in the future.
Call me vain, but this is a very pretty guitar, and like a new girl friend I dig it.
The day is grey and gloomy. I think there is a hint that there was a dusting of snow. Meanwhile another oil delivery…
Today I will get rid of some evil Ginzo fret ends on the DeMarino. I have this black graphite nut material that is self lubricating. The current nut is too low, and needs to be replaced. The Bigsby vibrato I installed I hope stays in tune better, otherwise I need Cris to revamp the neck with a new fingerboard with a 9 inch radius and add a LSR roller nut with less friction.
I go slow motion, perhaps old man mode, doing easy jobs over long periods of time. Absolutely no rush. I listen to music, am more in the moment, feeling a sense of peace. Pretty much that relaxed. As Andrew says, “In retirement, every day is a Saturday…”
Perhaps for me it is a step further and every day is a Sunday. I love my peaceful and boring life.
Maybe today I’ll plug in the new Thinline and tweak it some more. I have a Fender low output 49 No Caster pickup in the neck. It is a bright and lively pickup that seems ideal with the Alder body, and the roasted maple adds some crispness and articulation.
The neck pickup is a Fralin Blues Special, slightly overwound or more midrange and output over a vintage pickup, but I tend to raise a Tele neck pickup close to the strings to maximize treble and articulation. In this case the slightly boosted output balances well for my style of playing.
In a ways I setup and use a neck pickup for a throaty lead which is kinda my vocal range. I can see playing and singing in unison going pretty far, and like maybe like a piano I can sing the bass (left hand) and use the guitar to play the right hand parts.
A huge bonus is the middle switch position where both the neck and bridge are used together. Out of all my Teles this Thinline has the best middle position sound. Brutal.
Then there seems to have a very wonderful resonance in the attack that is lively and present.
I only played a little bit last night, mostly to check if the pickups were in phase or not. Luck me they are. Even acoustically this guitar sings. A very vocal quality…
A finishing touch is this open cover I installed over the Tele neck pickup that shows the naked black bobbin through an open top.. Looks mucho evil, but I need to add a ground to the cover so it acts like a noise shield. I can do this when I change strings…
I have a harem of Tele’s now, and the grandson will go bonkers over this new Thinline.
In another day or so I should be getting those new threaded barrel replacements. Hope they solve the problem. Another sexy guitar that is a mucho loud red. The Callahan bridge with a steel base plate makes this Strat a bit of a porker. The Sperzel tuners along with the CBS enlarged headstock also add some weight.
The Baritone neck has a Strat reverse headstock and would be mighty evil on this strat. Then again it would be crazy good on that 1-piece alder body I secure at a bargain price.
I got the Arizona Turquoise neck inlays kinda for free as well as the 9-14 radius that is an optional upgrade, and also bonus bird’s eye figure. Pretty much a bargain and a no brainer.
The longer scale length is a challenge, and will advance my playing on a standard 25 1/2 in ch scale. Likely will also aid in developing my vocal training.
“Don’t tell Maggie,” but I’m in love.
I’m no Jeff Beck, but I do favor brightness. If you watch JB perform basically he plays almost exclusively the bridge pickup when he plays a Strat or a Tele (In the Yardbird years he played a Fender Esquire which is basically a Tele with only the bridge pickup).
So I can get a fat Jazz sound out of my hands using a Tele bridge pickup, while many Jazz players who use Teles favor the Tele’s neck pickup. Perhaps Julian Lage whould be the exception who plays a 1958 Tele using either the bridge pickup or bridge and neck together. Pretty much he never uses the neck pickup alone.
Unlike other players though, I use a heavy attack. Pretty much my style is to play an electric guitar with heavy gauge strings as if it is an acoustic guitar and perhaps like Charlie Christian hitting the strings hard to project in an orchestra setting using mucho downstrokes for power.
Anyways, I’m doing my own thing, and my own style is emerging. The heavy gauge strings is a big part of my sound. Also I get the dynamics I want from my hands. I have my own sound…
This new blue Alder Thinline kinda favors JL’s style. This particular guitar favors the bridge and bridge and neck together positions. Hmmm.
Cal