Popular Photography shutting down

. . . . Probably what the internet has done more than anything else is made the editor all-important. There's so much out there that the one thing that has any continuing value is someone with the ability to consistently find interesting content to present. You have to beat Google of course, which is tough. It means you have to show people what they didn't know they wanted to see.
Very true. Today, merely having a brilliant editor is not enough. You need a genius editor. Even that won't necessarily suffice in a fight against the advertising department and their attendant bean-counters.

I know. I've worked with genius editors; brilliant editors; and the other sort(s).

Cheers,

R.
 
I have to admit, it was Modern Photography, and Herb Keppler's articles, along with the lens tests that held my interest in the '60s while in college and after.

I admit to being Partial to Modern as well and to Herb Keppler's articles. I'm glad that I finally got to say a personal word to him on the web site before he passed. I read Popular Photography regularly as well, up to quite recently. It's been hard to find, at least around here, and the issues were getting thinner and thinner each time.

At least Shutterbug is still around, but they are getting very thin as well.
 
The problem, whether or not the content is free, whether some of it is rubbish, whether the writing is good or terrible, it is immediate.

We no longer have to wait until next month to read that review on the newest gear, we can read it today.

Not only that, we can read several reviews on the same piece of gear, without subscribing to a number of different magazines.

Then we get together on a forum like this one and compare our own experiences and our own photographs.

Sure, some of it is rubbish. But most of us are intelligent enough to sort out the rubbish and toss it out.

And if we aren't that savvy, there are several respected members on forums like these that help us come to the right conclusions.

And my memory recalls that there was a fair bit of rubbish being tossed off as fact in the magazines as well, with no world wide gathering of peers to identify it as such.

And face it. Subscriptions never paid for magazines anyway. It was the advertisers. It was all those advertisements we used to curse as we sorted through those magazines like Popular Photography and others.

The print media just cannot compete with that. It is very hard on everyone who depends on those magazines for a living but the continued death of most of those magazines is inexorable. Some will survive, by being the best at what they do with high quality content that makes it worth subscribing. Some just because they are the last of their kind still standing.
All that you say is true -- and I've written for a LOT of magazines, including Shutterbug for a couple of decades and even a few articles for Pop and American Photographer. Which is why I get rather annoyed with simplistic ideas of "just changing their business model".

The only realistic model for quality journalism on the web is nanopayments.

Remember the saying that is by internet standards now very old: if you aren't paying for the product, you ARE the product.

Cheers,

R.
 
Thank you Roger. I have read many of your articles.

I didn't renew my pop photo subscription this year. Guess that is a good thing. I will say I liked their website which was basically a rehash of the magazine but something that perturbed me about it was their forum. I tried to join but I could never get anyone to complete my registration so I could have access. I would guess they didn't know how to stop spammers so they just locked it up. The posting was fairly active but always the same handful of players.
 
There's still the British Journal of Photography in the UK and some nice French and German ones etc. There were also some very nice magazines in what was East Germany when it was East Germany too.

The trouble with the internet is a lot of lazy people copy and so on and you get the same rubbish everywhere and, worse still, those people who do their research in ebay...

Regards, David
 
If I'm honest, I got tired of all the photomags reviewing digital cameras. Who cares. If I did, that's info better read online and more in depth. So I stopped subscribing to those. I never subscribed to Pop photo though.
 
I got tired of all the photomags reviewing digital cameras. Who cares.
Totally agree, gnuyork (gotta love that name!)

In addition to the <usually biased> digital reviews , the seemingly endless articles re: Photoshop and the like. I don't care to sit around manipulating photos as I do extremely little digital, what with being "a film guy." I don not even want to know anything about photo manipulation programs as I am not into photography as a business for pay.

(My photos, perhaps "not perfect", make me happy with no need as far as I am concerned, for manipulation.)

Popular Photography and Modern Photography were religiously perused by me back in the heydays of film. When everything went digital, I abandoned all photo magazines.
 
That was both great, and at the same time disrespectful, they put huge type over your photo, and put a photo in the gutter.

That kind of sums up why I always found Pop so awful.

I agree. I was especially upset about the photo that ran across the gutter; it destroyed the part of the photo where my grandpa's face is. Since the photo was about the interaction between him and his cat, it ruined the photo.
 
There's still the British Journal of Photography in the UK and some nice French and German ones etc. There were also some very nice magazines in what was East Germany when it was East Germany too.

The trouble with the internet is a lot of lazy people copy and so on and you get the same rubbish everywhere and, worse still, those people who do their research in ebay...

Regards, David

I agree with David there are some great British Magazines.
 
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