StuartR said:
I am impressed by your tonal range (though the shadows between the logs are very dark, are they pure black?). I could never get techpan to look good at all. I would have awful negs, albeit with no grain.
Thanks!
The shadows are just about pure black, I use my 9000ED full tilt, 16 bit, 14X , glass holder, etc.
The thing with Techpan is knowing that you have the wonderful opportunity to exploit it based on the characteristic of it having narrow exposure latitude for pictorial use. What would ordinarily work against you clearly spells out that in certain situations, you are not going to get a very good result and will get outstanding results in others.
In other words, this film is one that you assign a camera to permanently, to only shoot it in ideal situations like the somewhat flat light that I gave it. I do not experiment with the darkroom, I keep that very, very consistent.
I only have 103 rolls of 120mm & 150 rolls of 35mm Techpan, I intend to shoot it very selectively over the next 10-15 years on niche subjects much like John's hauntingly wonderful scenes of the Scottish Highlands.
But really, not to hijack the thread, I look forward to creating my own signature style with the M8 and I have to say that this particular thread of images is about the best collective of imagery from the M8 I have seen thus far.
Everyone on here ought to be very proud of how well they have portrayed what the M8 can do in the right hands.
Well done!