Post Your Film Images Here

[Joao]

Three more Boxing snapshots (from a spectator seat). Portra 800 and Eastman XX at ISO650

Boxing by João Avelar, on Flickr



Boxing by João Avelar, on Flickr



BOXING020 by João Avelar, on Flickr



There are some more images from this session at my Flckr album “Boxing"
Boxing

 

[Tuna]

 

[p.giannakis]

Nikon F90x - AF 50f/1.4
ilford Pan400 in HC110

 

[Shab]

View attachment 4845494

Love this one! Thanks for sharing! Can you say which film and lens did you use on this picture?

 

[Tuna]

Love this one! Thanks for sharing! Can you say which film and lens did you use on this picture?

This was on Fuji Reala and I would have captured it with a Leica MP and a 35 Summicron v.2.

 

[Erik van Straten]

gelatin silver print (summicron 50mm f2v4) leica m3

Amsterdam, 2017

 

[raphaellehnen]

Boston, 2024. Leica M-A, 35mm Summicron ASPH, 5222 EI250 on Rodinal 1:50.

 

[Tuna]

 

[Freakscene]

View attachment 4845518

I like the way you got great photos at each end of the same block. Very cool.

 

[Tuna]

I like the way you got great photos at each end of the same block. Very cool.

Haha yes just turned and walked a bit. Like a “shot at every corner” challenge…

 

[dab]

 

[rhl-oregon]

Rollei QZ-35t
family at my 70th birthday



Downtown Winston Salem

 

[rhl-oregon]

Fuji Klasse S, HP5
Ferndale CA


Sedona, AZ

 

[Tuna]

Plus-X

 

[Freakscene]

View attachment 4845614

Plus-X

Wow, what did you do to Plus-X to make it look like that?

 

[yossi]

Back alley Barber Shop. @Little India, SG.

Ricoh GR-1, kodak double-x in HC-110.

 

[Tuna]

Wow, what did you do to Plus-X to make it look like that?

Good or bad? This is from my self processing days so I could have been wonky in my agitation to create additional grain. Also, my Nikon Coolscan has always added a degree of “extra grain” to my eye. On the other hand, I’ve been partial to extra grain in shots like this one…

 

[p.giannakis]

Oympus OM-2n - Zuiko 35f/2
Kentmere 400 in HC110

 

[chuckroast]

Back alley Barber Shop. @Little India, SG.

Ricoh GR-1, kodak double-x in HC-110.

I've walked those very streets. I can still smell the curry 😉

As an aside, within the past month, I just did a side by side comparison of Double-X in various dilutions/times of Pyrocat-HD (all semistand or EMA), with conventional development in HC-110B, D-76 1:1, and D-23 1+3 semistand for 30min. From best to worst (grain and tonal smoothness) they scored like this:

D-76 1:1
D-23 semistand
HC-110B
Pyrocat-HD Semistand/EMA

No matter what I did with Pyrocat, the Double-X negatives turned out to have a gritty look and showed a lot of grain.

I have yet to try Double-X in conventional Pyrocat-HD agitation at 1:1:100.

I'm also doing some testing with Tri-X to see which particular developer/agitation scheme works best there as well.

 

[woody g]

I forgot how difficult film was. Here are a few attempts, the first with a Yashica J (jpg scan of the negative) and the second with an Electro 35 GSN (tiff scan of the negative). Film was Ilford Delta 100, processed locally. I rescanned the negatives (still learning on that) and substantially cropped the hummingbird image.

I will say despite using a handheld meter, shots generally are overexposed, the J scan excepted. I have a long way to go.