Keith
The best camera is one that still works!
Having bought a Nikon FM3A recently I've obviously been completely taken over by the dark side because I'm now seriously starting to think about a D700 for digital work! 😱 So what has bought about this insane line of thinking?
With my first gallery opening documentation coming up in a couple of weeks I can contemplate and envisage (and remember) all the associated problems I encounter with the M8 at these low light no flash affairs:
Being locked into using the M8 at 320 ISO because 640 and higher is not workable for me ... having to use my 35mm 1.2 Nokton as my widest perspective ... not to mention it's the only lens I possess which is fast enough for these conditions at my chosen ISO setting and so on! IMO the crop factor of this camera is THE biggest hinderance to me in this environment!
Not to mention the real killer ... "I CAN'T AFFORD AN M9!" ... but with a bit of careful financial juggling, I could probably stretch my budget to a used D700. Where this actually starts to make some real sense is I now intend buying at least another two Zeiss lenses to go with the 50mm f1.4 Planar I've already bought for the FM3A ... or possibly some AIS Nikkors depending on available speeds at the 35mm focal length! Suddenly I have the prospect of a parallel film and digital system that can share lenses and more importantly present them at their correct focal lengths!
Now for the questions:
A used D700 may cost me how much?
Is the viewfinder OK for low light shooting with manual focus lenses as is, or will I have to get a better focusing screen ... is the said screen easily replaced?
Are the files at 6400 or higher as good as I hear ... feel free to post some exampes please. I would prefer samples shot in similar conditions to my working environment ... at 320 ISO and f1.2 I am often reduced to 1/8 and occasionally 1/4 sec shutter speeds!
What would the oproximate weight of the camera be with a fast 35mm prime fitted?
Thanks in advance ... and I'm sure I can think of more questions as we go! 😀
With my first gallery opening documentation coming up in a couple of weeks I can contemplate and envisage (and remember) all the associated problems I encounter with the M8 at these low light no flash affairs:
Being locked into using the M8 at 320 ISO because 640 and higher is not workable for me ... having to use my 35mm 1.2 Nokton as my widest perspective ... not to mention it's the only lens I possess which is fast enough for these conditions at my chosen ISO setting and so on! IMO the crop factor of this camera is THE biggest hinderance to me in this environment!
Not to mention the real killer ... "I CAN'T AFFORD AN M9!" ... but with a bit of careful financial juggling, I could probably stretch my budget to a used D700. Where this actually starts to make some real sense is I now intend buying at least another two Zeiss lenses to go with the 50mm f1.4 Planar I've already bought for the FM3A ... or possibly some AIS Nikkors depending on available speeds at the 35mm focal length! Suddenly I have the prospect of a parallel film and digital system that can share lenses and more importantly present them at their correct focal lengths!
Now for the questions:
A used D700 may cost me how much?
Is the viewfinder OK for low light shooting with manual focus lenses as is, or will I have to get a better focusing screen ... is the said screen easily replaced?
Are the files at 6400 or higher as good as I hear ... feel free to post some exampes please. I would prefer samples shot in similar conditions to my working environment ... at 320 ISO and f1.2 I am often reduced to 1/8 and occasionally 1/4 sec shutter speeds!
What would the oproximate weight of the camera be with a fast 35mm prime fitted?
Thanks in advance ... and I'm sure I can think of more questions as we go! 😀
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