nzeeman
Well-known
when you scan color with epson-do you use his auto color correction? and do you adjust curves at all? you can maybe send me screenshot of settings in pm-my results are not nearly as good on my v330...
lynnb
Veteran
It's been a while since I've scanned colour! Most recent scans were Ektachrome 100 and Ektar 100. From memory I adjust the histogram in EpsonScan for black and white points and set the middle value at 100, though sometimes I adjust that if the preview looks unrealistic. I leave any colour adjustments for LR6. The desired scan look is somewhat flat looking, to allow maximum room for tonal and colour adjustments in LR6. I think you'd call my technique unsophisticated but it works well enough for me, mainly because I'm very familiar with tonal and colour adjustments in LR and CS6. What also helps is having a good monitor - I use an NEC Multisync PA272W. Hope this helps.
steveyork
Well-known
That's one sharp value.
lynnb
Veteran
Ultron @f/2. FP4+ in ID-11 1+3
helen.HH
To Light & Love ...
Love that one Lynn....Beautiful !
d.dulin
Established
Ultron 35/2 Vintage wide open, Pan 100 in ID-11 1+1 10min 20C. LR6.
burnt coastal scrub, Sydney 2019 #716 by lynnb's snaps, on Flickr
Does the bokeh seem to have that swirly characteristic or does this photo just lend itself to that look?
Toastybunzz
Member
Just a disclaimer none of these are works of art, I've been using medium format for more serious work lately. Also these are in varying stages of soberness, hah, so if there's something out of focus it's probably just me.
I figured i'd actually share a couple images with this lens since I've been shooting it for a while. These are Provia (faithful color/exposure to the slide), Portra 160 and Tri-X @ 1600.
I figured i'd actually share a couple images with this lens since I've been shooting it for a while. These are Provia (faithful color/exposure to the slide), Portra 160 and Tri-X @ 1600.
nickthetasmaniac
Veteran
I don't suppose anyone has been using the new 35mm Ultron alongside the VM 28mm Ultron and can comment on differences/similarities?
I love the 28mm, but I've been thinking about getting something that actually fits the framelines on my M2
I love the 28mm, but I've been thinking about getting something that actually fits the framelines on my M2
lynnb
Veteran
Some more examples cross-posted from the W/NW Cemeteries thread. I have added slight vignette in LR6 so please disregard the vignetting (the lens does vignette a little, as earlier image samples have shown).
Sydney's historic Gore Hill Cemetery, 2019
Leica CL Ultron 35mm f/2 Asph Vintage Line, FP4+ in ID-11 1+1
Sydney's historic Gore Hill Cemetery, 2019
Leica CL Ultron 35mm f/2 Asph Vintage Line, FP4+ in ID-11 1+1
Bingley
Veteran
Leica-Minolta CL and Voigtlander 35mm Ultron f/2 aspherical Vintage Line lens.
HP5+ iso400 in ID-11 1+3.
1/500 while walking. Full width 16:9 crop, top part of frame.
Click image for larger.
Lovely image, lynn! The Ultron is certainly a nice lens, but what really struck me are the lovely tones and sharpness from the HP5/ID-11 combination. I've never been able to get those results with HP5, and maybe it's the developer (I've been using HC 110). Need to give ID-11 a try...
Erik van Straten
Veteran
FirstNatawut
Newbie
Excuseme
i want to see performance RAW Picture ''Voigtlander Ultron Vintage Line 35mm f2'' on Sony A7 m2-m3.
Does this lens has Chromatic aberration, Vignette and distortion issues in every F-stop and when shooting RAW?
i want to see performance RAW Picture ''Voigtlander Ultron Vintage Line 35mm f2'' on Sony A7 m2-m3.
Does this lens has Chromatic aberration, Vignette and distortion issues in every F-stop and when shooting RAW?
steveyork
Well-known
Erik van Straten
Veteran
Steve, nice shot, but are the dark corners at the bottom vignetting? Desired? At wich f-stop did you take the picture? Thanks!
Erik.
Erik.
steveyork
Well-known
Erik -- Good questions, something I should've mentioned. I don't think it's vignetting; just a product of the lighting. This shot was taken under a bridge in solid shadows just as a misty, fogging morning dawned. Difficult lighting. As I recall, I metered under the bridge and may have even opened it up a stop. No specific recollection but it looks f/2.8 or f/2. Certainly no slower. A really fine lens exceeding my ability.
nickthetasmaniac
Veteran
Is anyone using the 35/f2 Ultron with the LH-12 hood? How much does it intrude into the viewfinder?
Sonnar2
Well-known
How to 6-bit-Code it for use on Leica M10 / 240?
Like the 35mm Summicron v4 or Summicron-ASPH? f/2?
It looks like light falloff of the lens is higher than Summicron-ASPH? f/2?
Like the 35mm Summicron v4 or Summicron-ASPH? f/2?
It looks like light falloff of the lens is higher than Summicron-ASPH? f/2?
bmintie
Newbie
I am using the LH-12 with a Leica M10 and find the hood to be very manageable.
Some attempts at capturing how it looks from the viewfinder from my iPhone:
nickthetasmaniac
Veteran
I am using the LH-12 with a Leica M10 and find the hood to be very manageable.
Some attempts at capturing how it looks from the viewfinder from my iPhone:
Thanks very much for that.
Archlich
Well-known
The Chinese maker Haoge just introduced a square bayonet hood for the CV 35/2 and the 35/2.5 P II.
Looks pretty neat I say...should be on sale at Amazon soon.
Looks pretty neat I say...should be on sale at Amazon soon.