Tom Niblick
Well-known
I thought the reason Leica went with the name"M" was so they could update the camera without adding a number. We are the ones who insist on adding "type 240" to the name.
My thought is that the train is leaving, or maybe has left, the station. M240 resolution, buffer, ISO and LV just don't belong in the current market. My loyalty at this point is just to my lenses.
I use a Monochrom, but I've checked and its files are not impressively superior in 17x22 prints to A7R files. The Sony sensor's higher resolution just about makes up for eliminating the Bayer array.
I run into quite a few folks - from students to elders - who think of themselves as 'fine art' photographers. Few still regard Leica as a camera to take seriously, even if they could afford one. Even to those devoted to street photography, it's hard to recommend an M240, esp. because of ISOs and banding, or even an M9 (since sensor difficulties). Many are trying Sonys and Fujis.
Leica seems devoted to bringing out Summiluxes in wider focal lengths, at the time when other manufacturers are making reasonably priced f1.8s f2s coupled with sensors that can deal quite well with 'available darkness' problems. Better sensors, not faster lenses, are the way to go?
So IMO the appropriate release data for the next FF Leica doesn't appear in this poll – it was sometime in the past.
Kirk
There won't be a successor to the M, at least no meaningful one. Variations on its theme, maybe an incremental sensor improvement here and a feature enhancement there, but no realistic successor as the M240/246 is to the M9/MM/M8. In the same way that Leica's film M's have reached their endpoint, the digital M product curve is matured and done. The future is the Q. Now fixed-lens to test the waters, soon to have an interchangeable mount, and then a line of Q-mount AF/MF lenses.
There won't be a successor to the M, at least no meaningful one. Variations on its theme, maybe an incremental sensor improvement here and a feature enhancement there, but no realistic successor as the M240/246 is to the M9/MM/M8. In the same way that Leica's film M's have reached their endpoint, the digital M product curve is matured and done. The future is the Q. Now fixed-lens to test the waters, soon to have an interchangeable mount, and then a line of Q-mount AF/MF lenses.
There won't be a successor to the M, at least no meaningful one.
I got to try out the Q tonight. Fantastic.
All of that may well be true. Time, as they say, will tell. My personal take, for whatever that's worth (which isn't much) is that at least Leica is participating in what I regard as the "throw it against a wall, then see what sticks" approach to finding out what digital cameras will look like once things truly settle down. That's not really a criticism: I doubt there's any other effective way of approaching it.I suspect that they`ll be minded over time to distance themselves from the RF concept and move to the Q.
All of that may well be true. Time, as they say, will tell. My personal take, for whatever that's worth (which isn't much) is that at least Leica is participating in what I regard as the "throw it against a wall, then see what sticks" approach to finding out what digital cameras will look like once things truly settle down .... My personal guess (which, at this stage, I figure is no better than anyone else's) is that the Q concept is more representative of the future than any of Leica's lines except the S .... I could easily see an "interchangable lens Q-type thing" replacing, by gradually overtaking, the M line for Leica - and for them I think that would only be a good thing.
...Mike
I got to try out the Q tonight. Fantastic.
Dante
Serious first-try envy here, Dante.
I think you may have missed my point there. I wasn't saying the Q per se is a "toss against the wall". All I was trying to suggest is that with the Panaleica, S, X, T, M and Q lines, Leica seems to have backed more than one horse in the digital race. And I was trying to say that's a good thing in contrast to the Canons and Nikons who don't seem to see past the mirror-boxes of their SLRs. Wherever digital ends up, I don't think it will look like the film world that was there before digital started: with SLRs, a smattering of rangefinders and a bunch of window-finder P&S cameras. (Hell, that's already dead as far as P&S cameras go - to the point those even exist as a proper category these days.)Mike, the Q in concept isn't a toss against the wall. It's been done by Oly, Fuji, and Sony [...]
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Even if I have one though, I think it would be a backup to the A7 cameras that I am using. I can afford to abuse, throw around and and put tens of thousands of clicks through an A7, which I can't do on a digital M. ...
🙂
If it makes you feel any better, the rep had only gotten it two hours before that. We were at the Peter Turnley event in San Francisco.
But more to the point, mark my words: the days of M development are numbered. It is only a matter of "when" for the interchangeable version.
The Q definitely does not feel like the toy I expected it to be, the VF is phenomenal, the build makes Fuji X cameras seem like plastic toys, and the contrast-detect AF is quite fast. It's also 95% as big as an M but not so heavy (so about the size of an X-Pro1). It is extremely responsive, and within at least the confines of low room light, very sharp and surprisingly noise-free.
The 28mm fl is slightly disappointing, but they handle it decently with the frames lines.
D