Which 50 Summilux?

Which 50 Summilux?

  • 50/1.4 pre-ASPH V2

    Votes: 28 56.0%
  • 50/1.4 ASPH

    Votes: 22 44.0%

  • Total voters
    50
  • Poll closed .

sepiareverb

genius and moron
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Which Summilux did I use?

525131.jpg


Some explanation of your vote could be fun.
 
Far from an expert in these matters but I'd have to go with the pre-Asph for the same reason's already given above.
 
Not a great photo for this kind of test but methinks it was the pre-asph since it seems less crisp.
 
Even the asph. can produce less than crisp images (I know about this!), so that is not necessarily a give away. Contrast can also be added in development or PP, right? Based on what seems edge-to-edge evenness in the level of sharpness, I'll guess Asph.
 
It is soft as a baby bottom. But considering the straight lines appear straight, that leaves the original 1959 version or an ASPH. Pre ASPH is out.

You will not separate these on a monitor anyway so all guesses are just that.
 
Even the asph. can produce less than crisp images (I know about this!), so that is not necessarily a give away. Contrast can also be added in development or PP, right? Based on what seems edge-to-edge evenness in the level of sharpness, I'll guess Asph.

I vote ASPH, too. Why ? No visible barrel distortion and similar performance corner vs. center. Hard to say though at that size. Not wide open either. Wondering why it's so soft.
 
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OK I'll guess it is the very first Summilux: the one in chrome, with the very pretty crosshatched grip section at the base. It's the soft look, just like everyone else said.
 
I vote ASPH, too. Why ? No visible barrel distortion and similar performance corner vs. center. Hard to say though at that size. Wondering why it's soft.

Same here. Less funk than I'd expect that close and at that aperture.
 
Judging from the corner sharpness and no visible distortion, I would say the ASPH. On the other hand, since this can be easily corrected in PS .... so my vote goes for the pre-ASPH with a little tweaked contrast.
 
It's the Summilux ASPH at 1.4

The ends of the gates are all different distances from the film plane, thus the many OOF ends. But the ASPH allows for an even rendition across the whole image- so the two ends seen at the bottom are crisp, as is the one along the right side nearer the top. For all the times one hears how clinical the ASPH is the above image surely puts this to rest for me.

Here's one that really drove home why I prefer the ASPH when in town:

510427.jpg


The ASPH would have given me detail in the curtain out to the corners, the pre-ASPH could not. And here no real wacky bokeh to enjoy.
 
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