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So the question becomes: is this a camera you could use for a real job? Yes and no. the IQ is definitely there, and the JPEGS are so good out of the box that you can supply them directly to a client. I recently shot a commercial job for an editorial client and sent him the JPEg direct, fully expecting him to come back and ask for TIFFs. To my surprise he called me back to say how clean and usable they were. I didn’t tell him what I had shot them on. I know of a well- known food shooter who is using an X-series for his work. Carefully shot and processed it is possible to get an A0 print from this sensor. remember too, that the range of raw convert-
ers for any camera based on the X-Trans sensor is limited, including the replacement for the X100, due out early next year, which will use it as well. However the perception among the uneducated that you have to have Big gear to be a Real Pro still exists. You might struggle to convince a wedding client that you were for real with such a small camera...until they saw the results. Interestingly, this camera system is be- coming increasingly used by wedding profes- sionals overseas.
My only other annoyance with what is otherwise a fantastic camera is that they have not fixed the issue with minimum shutter speeds on Auto ISO. The X100 allows you to do this, so why not the X-Pro1 or X-E1? Mr Fujifilm, please!