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How far back in the dark ages do we need to go to placate those who think having some common decency for others is a bad thing? Culture changes, language changes with it.
Phil Forrest
Thank You Phil!
How far back in the dark ages do we need to go to placate those who think having some common decency for others is a bad thing? Culture changes, language changes with it.
Phil Forrest
Probably so Xayraa. But don't you agree it would be "innocuous snobbish"? Hardly an argument for anything I would say.
On digital land, I consider my self a Canon boy, and in no sense I feel the term is denigrating or taking any of Canon great achivements. I would take a Canon f/1.8 over my Summicron on many shoots, since I like the optics and ergonomics better.
By the way the nikkor comments was a failed joke. Probably should stick to more seriousl comments 😛
The joke was understood but like all good jokes it had a foundation of truth to it ..so it was very clever and witty along with being funny .
The "BEST" as a comparison standard is usually based on price and sometimes its connected rarity so it can end up as a snob's trinket...it does not even have to be a good item, like the Rolls Royce car...not necessarily a reliable car or cheap to fix but it is considered as top of the pops and a hand made quality standard in our lexicon.. whether that is a real thing or not in actuality.
Alpa 35mm SLRs come to mind...I was lent one...expensive camera , hand made but a ergonomically a horrid camera and it was repaired 4 times in 45 yrs...the lauded 50mm Kern Switar lens on it was no better than a 50mm f1.8 Pentacon lens and easily bettered by my 55mm f1.8 Takumar or Rokkor 50 mm f1.7 lens.
There is reality and then there is legend and fable.
The Canon 50mm f/1.4 LTM rangefinder lens is not a copy in any way of the V1 Leica Summilux and is a unique design. I'm not sure where this term came from, but it seems to do an injustice to the Canon engineers who designed it. Maybe they are all dead or did not care, but I've never liked the implication that anything good out of Japan in the 1950s or 60s "had" to be a copy of something European. My two cents.
They'd charge you with the High Crime of 'cultural appropriation', as chef Jamie Oliver discovered, for the ugly offense of cooking jerk rice.
Why the deal to marry or force fit something photographic, be it photography in general or camera and lenses with woke-ism or PC ness or general SJW philosophy?
Not all of us here on RFF are white or of northern European stock but we still admire good photography and talk about photographic equipment no matter where it is made..and we generally have good repertoire and overall great bonhomie with all our RFF brothers and sisters of all races , colours and creeds and sexual orientation.
Fact is most of the technology everybody uses has its roots and development in and by people of mostly European descent, be they European or American...that is a historical fact...so now people like Tesla, Edison, Carl Benz, Faraday, Steinmetz, Daguerre , H Fox Talbot, George Eastman, Paul Rudoph, Ernst Abbe, Ludwig Bertele, Oskar Barnack, James Clerk Maxwell, Lee Deforest, G. Marconi, Vladimir Zworikin, Louis Pasteur, Wilhelm Roentgen, James Watt, Frank Whittle, William Morton, Robert Koch, John Herschel, Robert Goddard,Willis Carrier,Carl von Linde , Charles Babbidge, Wm Shockley, John Bardeen, Walter Brattain, Henry Bessmer , Elias Howe ..etc etc etc
have to be written out and replaced with fictional or revisionist SJW approved characters that had nothing or little to do with these inventors and their great inventions that make our world better for all of us regardless of race or colour to suit some nefarious agenda that no one voted for ? I see no fragility in anyone...everyone is an individual, everyone is a human being.
Sure the Japanese are great people and Japan of 154 years ago was a closed nation, and not technically advanced but they built up their nation on the technology of others..mainly of those technologies developed by Europeans and Americans, yes other people improved and advanced these technologies be they black or white or Asian or of any other colour, race and gender .
Let us be thankful for all these great men and women regardless were they came from.. as in the end it does not matter who did what when I turn on a light switch or go to my fridge to heat something up in a micro wave then go drive my car and go to the clinic for an X ray and head back to my air conditioned house to watch some TV or admire my Nikon S2 or my Leica black chrome M4 and the myriad of lenses made in USSR, Germany, Japan, England, France, Canada, USA, Vietnam and now China .
Life is too short to build up strawman arguments just to pick senseless fights and cause needless arguments...enjoy life , be good to others and go out and make great photos that please you.
I was unaware that the word "Japanese" still carried connotations of lesser quality for many. I oppose the nickname just because it fulfills no purpose at all, doesn't even sound good.
The Canon 50/1.4 was introduced in 1957, the Leica Summilux was introduced in 1959. The Canon was the lens that likely made the existing Summarit "look bad".
Japanese Summilux- does not mean it is a copy, some used it as a compliment. Maybe it should be called the Japanese Motivation for the Summilux.
Funny how BMW and Mercedes cars models come to my mind in numbers: 3 series (or 3-er), 5 series, 7 series, E190, SL55, S500, GLK500 But many Japanese vehicles are referred to by name: Civic, Corolla, HighLander, Rodeo, Lancer, Skyline.
Of course, I am generalizing here and one would have to survey the entire industry to know what the trend actually is.
Vintage Lenses are the opposite.
German companies gave their individual lens type or series monikers or marketing names (Sonnar, Biogon, Ultron) but Japanese companies tend to refer to them by the basic specifications of focal length and max aperture.
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The names of Japanese cars for the US market are often different from the names or numbers of the same Japanese cars targeting (say) Germany.Funny how BMW and Mercedes cars models come to my mind in numbers: 3 series (or 3-er), 5 series, 7 series, E190, SL55, S500, GLK500 But many Japanese vehicles are referred to by name: Civic, Corolla, HighLander, Rodeo, Lancer, Skyline.
Of course, I am generalizing here and one would have to survey the entire industry to know what the trend actually is.
Vintage Lenses are the opposite.
German companies gave their individual lens type or series monikers or marketing names (Sonnar, Biogon, Ultron) but Japanese companies tend to refer to them by the basic specifications of focal length and max aperture.
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Some of the Datsuns had numbers in North America and names in Japan , 510 = Bluebird in Japan ......240Z=Fairlady Z
All rusted fast and bad on salted winter roads
A friend of mine in Germany said the same thing about Japanese cars driven in Germany. They rust badly from the salt used with snow and ice.
xrayaa33
"Some 1970s reminiscing:
But despite the nostalgia Datsun electrics were not great on their cars.
Mitsubishi cars were known for their bad piston rings.
Earliest Subaru cars like their 360 were tiny 2 stroke death traps.
Mazda had super bad gas mileage with their Wankel engines.
Early Honda Civics had valve problems at low mileage.
Toyota had some weak differentials and less than stated HP and torque and rode like trucks."
They all improved their cars.
All rusted fast and bad on salted winter roads"
Raid, xrayaa33 was talking about the vehicles of the '70s. Datsun became Nissan in N America in 1984. Vehicle construction has changed a lot since then. I don't imagine you have a need for salt on roads in Florida, but come up to Alberta in the winter and you'll see that current Toyotas, Subarus et al survive the winter salting of the roads as well as any N American or German vehicle. The rusted cars that you see are the ones that never get cleaned and washed by their owners, and that's true no matter which part of the world the brand originates. You'll see well-maintained vehicles 5-10 yrs old without a sign of rust.