GeneW
Veteran
Photography? 😀pendevour said:What should we call our cult? Any ideas anyone?
Gene
Photography? 😀pendevour said:What should we call our cult? Any ideas anyone?
einolu said:Film will be around for a long time. Kind of like vinyl came back to a niche market. Im just an analog kid I guess. I like how tangible analog things are. for example, on my records the music is actually there, I can just take a pin and scratch it to hear, or like on a negative, the picture is right there. I dont need a computer or a DA converter just to see or hear it.
Actually they are, but as birds, not alligators.blakley said:Dinosaurs still ARE around. Just ask an alligator.
ErnestoJL said:Your post, Einars, made me think on another issue: there should be some correlation and/or similarity between the many factors involved in the equation which defines the people in RFF...
Age?, Profession?, and how many others....
Same reason they announced the death of VHS at Xmas. They'd stopped selling them in numbers but it is a significant decision to make. It cements the view of Dixons as cutting edge, leaders, and influential. All bollocks IMHO of course but good publicity for them, so a good marketing ploy.Azinko said:So why did Dixons, a company at the cutting edge of technology (according to their managing director!!) feel it vital to get into print and TV time to tell the ignorant British public that they will simply not be able to stock those quaint old film cameras anymore??????...........
http://seattlepi.nwsource.com/business/233248_digi20.html
Wednesday, July 20, 2005
Photo companies struggle to keep up with digital revolution
By DAN RICHMAN
SEATTLE POST-INTELLIGENCER REPORTER
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Grasping the brief lifecycle of digital products has been one challenge for retailers, including Glazer's Camera, a 70-year-old, family-owned business at the south end of Lake Union.
"The life of a film camera is measured in years," said operations director Swan Mossberg. "It holds its value. Today, you better sell every single digital camera you have on the shelf within 3 1/2 or four months, because it will be obsolete."
Early in the digital era, about five years ago, the store "got stuck with some $75,000 digital camera backs that didn't sell," said general manager Ken Smith. "You can't afford to make many mistakes like that."
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Originally called Seattle Film Works, that company grew to an 800-person, $100 million business by the late 1990s through mail-order and kiosk-based film processing. By 2000, the unexpectedly rapid rise of digital photography had caught it by surprise. Four years later, revenue had dropped to $20 million and the staff to 250.
"Consumers adopted digital technology much faster than anyone anticipated. I don't know why Film Works weren't able to adapt," said Phillipe Sanchez, who was appointed chief executive in October 2003 after it ejected his predecessor.
Seattle has a few traditional photo labs that continue to optically print both color and black-and-white images. And, in an ironic twist, they're flourishing.
At Panda Photographic Laboratories Inc., on lower Queen Anne, revenue has increased this year as the 12-person company picks up business from shuttered color labs elsewhere in the city, said co-owner Dana Drake.
"We're counting on film to remain viable, even if it becomes a narrow niche," Drake said. "We're picking up a lot of business that used to go to mom-and-pop places, which have closed."
kuvvy said:I saw the announcement about Dixons on the TV news. What worried me more was the fact that they showed Patrick Lichfield agreeing with the statement that digital was the way to go, while he was shooting a model with the Olympus E-1. Is he right?
And my girlfriend thinks I'm totaly mad because I stock film in my fridge 🙂Stephanie Brim said:My boyfriend has wondered why I tend to stockpile film. I have various kinds in copious quantities at all times.