John,
I got up close in "Calzone" mode with the 28/1.4 AF-D and somehow didn't blind too many people with my flash. LOL. Anyways I have mucho cool shots.
Last night I printed two shots that I converted to B&W. Does not seem as sharp as my Monochrom, but I think I will have to add sharpening to overcome the blurring caused by the Bayer Filter Array. Understand that because I'm a lazy slacker, I like that the images from the Monochrom can ride on whatever that default setting is in LR5. Basically I'm that lazy, or perhaps it is just being spoiled.
I'll see what the baseline looks like when I print the gloss overcoat tonight. One image is of this lanky Afro-American girl backstage setting up the audio. Something very urban and gritty about that shot, and what I like most about it you would not know that it is backstage in a theater. Basically it can pass as a street shot.
The other shot is another African-American girl that had crazy big hair sitting by herself. It can also pass as another street shot.
I wonder how this will all fit in with my other work because it is with a different system/camera/sensor and taken with a flash. Anyways call me Mini-Wee-Gee. LOL.
Now you see the difficulties with trying to shoot fashion. I can tell you first hand Creative Directors in the fashion industries are mighty picky, and they don't care about technical difficulties. They just want the perfect shot no matter what. Glad I'm not a pro.
Cal