Takkun
Ian M.
I swear, I'm driving myself silly trying to figure this out.
I've got an ELCAN 90 Elmarit that I've mentioned in previous threads. A while back, I wasn't sure if it was focusing right, so I took it to CameraTechs in Ballard, who said everything was A-OK and it was my eyes playing tricks on me.
However, now I'm starting to second-guess myself again. I can't tell if it's my camera back-focusing or the lens, or just me.
The other night I was shooting an al fresco theatre performance around dusk, and there was enough light to shoot wide open, so I did.
I swore I was spot-on; my M5 has a nice, bright RF patch.
Guess not.
So while I was scanning, I found another image, same lens, same camera, that I snapped off at the local high school, focused at infinity. (ignore the awful subject matter)
And yet, I can't tell if it's in critical focus.
What's throwing me off is that every other shot on those rolls were with a 35, stopped down in daylight except for two with a 50 which I attribute being out of focus from shooting carelessly wide-open, and a third with the 50 that's spot on.
Pointing it out my front window to the same office tower appears to be in focus in the VF.
Complicating matters further: my Bessa. The vertical RF is out of alignment on it already, so there's a strike against it. Second, with the 90 mounted on it at infinity, the RF doesn't align fully. And yet the only shot I recall taking with that combo recently is just fine (wet printed; I don't have a scan yet).
I know that it's not a DIY and the obvious solution is sending something in, I just don't know what the weak link is, and I'm dragging my feet.
What are you guys seeing here? I apologize for the graininess, it was Delta 400 pushed two stops, so that isn't helping the analysis. If I shoot a test roll and process at home, what procedure should I use?
I've got an ELCAN 90 Elmarit that I've mentioned in previous threads. A while back, I wasn't sure if it was focusing right, so I took it to CameraTechs in Ballard, who said everything was A-OK and it was my eyes playing tricks on me.
However, now I'm starting to second-guess myself again. I can't tell if it's my camera back-focusing or the lens, or just me.
The other night I was shooting an al fresco theatre performance around dusk, and there was enough light to shoot wide open, so I did.
I swore I was spot-on; my M5 has a nice, bright RF patch.
Guess not.
So while I was scanning, I found another image, same lens, same camera, that I snapped off at the local high school, focused at infinity. (ignore the awful subject matter)
And yet, I can't tell if it's in critical focus.
What's throwing me off is that every other shot on those rolls were with a 35, stopped down in daylight except for two with a 50 which I attribute being out of focus from shooting carelessly wide-open, and a third with the 50 that's spot on.
Pointing it out my front window to the same office tower appears to be in focus in the VF.
Complicating matters further: my Bessa. The vertical RF is out of alignment on it already, so there's a strike against it. Second, with the 90 mounted on it at infinity, the RF doesn't align fully. And yet the only shot I recall taking with that combo recently is just fine (wet printed; I don't have a scan yet).
I know that it's not a DIY and the obvious solution is sending something in, I just don't know what the weak link is, and I'm dragging my feet.
What are you guys seeing here? I apologize for the graininess, it was Delta 400 pushed two stops, so that isn't helping the analysis. If I shoot a test roll and process at home, what procedure should I use?