Leica M7 and MP used prices

Leica made a nice marketing job out of the MP - not the ones made in the fifties of course - (just like they did with the M-monochrome): they let people believe that owning a more expensive camera, makes them better photographers......guess who's becoming a snob.....

But Leica charges the same amount for the M7 and MP, so I think you're wrong.
 
I actually didn't say any of that, but nice work putting words in my mouth. I actually don't know any "collectors" that don't take photos - they all do.

Hey, I'm sorry for the confusion ... I didn't mean for that paragraph to be directed at you. Only the first line.
 
Leica made a nice marketing job out of the MP - not the ones made in the fifties of course - (just like they did with the M-monochrome): they let people believe that owning a more expensive camera, makes them better photographers......guess who's becoming a snob.....
Why single Leica out for this? Just about every other camera manufacturer has also tried to persuade people of the same thing. Otherwise, why would Nikon make 57 different varieties of DSLR, and change their line-up every three weeks? (I exaggerate, but only slightly.)

Admittedly there are those manufacturers who make really nasty cameras and have no option but to try to peddle the line that it's the photographer, not the camera. They're wrong, of course. If that were really the case, we'd all be using box Brownies.

There's a 'quality plateau'. Up to it, a better camera will, indeed, make better pictures. Above it, the main thing that makes a difference is the photographer's skill. But it's easier to become skilled with a tool you like using.

Quite a lot of people bought (and presumably continue to buy) current MPs because they're simple, well-designed, new (not 50 and 60 year old) cameras. How is this a 'marketing job'?

Cheers,

R.
 
But Leica charges the same amount for the M7 and MP, so I think you're wrong.

I didn't mention the M7?

There's a 'quality plateau'. Up to it, a better camera will, indeed, make better pictures. Above it, the main thing that makes a difference is the photographer's skill. But it's easier to become skilled with a tool you like using.

They make you think there is a 'quality plateau', nothing wrong with that in itself - it is good for Leica (and maybe Nikon like you say), and nothing wrong by thinking you will make better pictures with that...but you know it is only yourself thinking that
.... and again also nothing wrong with that in itself, .... I just wanted to stress it is a marketing thing letting you think you will make better pictures with it...but in the end you'll know it doesn't matter whether the thing has a brass or a zinc top ...
 
Ha, Ive been saving up for an MP, but this thread has now made me think that maybe I should give the M7 a try, if for nothing else, shear laziness! (Cheaper, AE, On switch)
 
Ha, Ive been saving up for an MP, but this thread has now made me think that maybe I should give the M7 a try, if for nothing else, shear laziness! (Cheaper, AE, On switch)

The thing with the M7 is you can buy a used one, play with it and if you decide you don't like it you can sell it for exactly what you paid for it with no trouble at all and still keep saving for the MP
 
The thing with the M7 is you can buy a used one, play with it and if you decide you don't like it you can sell it for exactly what you paid for it with no trouble at all and still keep saving for the MP

Exactly what I was thinking :)
 
Ha, Ive been saving up for an MP, but this thread has now made me think that maybe I should give the M7 a try, if for nothing else, shear laziness! (Cheaper, AE, On switch)

Careful, you'll be sentencing yourself to years of feelings of inferiority and regret, compelling you to viciously defend an indefensible camera on international photography forums. For your own peace of mind, do the right thing.
 
You refer to the black paint MP as MPoser, and state black chrome looks more professional. Now maybe you are a professional, not sure, but for those who aren't, doesn't someone using something that looks the most professional in the absence of professionalism define a poser.

Ha! Another poser victim felled by simple logic!
 
Careful, you'll be sentencing yourself to years of feelings of inferiority and regret, compelling you to viciously defend an indefensible camera on international photography forums. For your own peace of mind, do the right thing.

Hahaha, I'm not worried I have AADD and a bad case of G.A.S., I'll have moved on before the infirority complex sets in ;)
 
You refer to the black paint MP as MPoser, and state black chrome looks more professional. Now maybe you are a professional, not sure, but for those who aren't, doesn't someone using something that looks the most professional in the absence of professionalism define a poser.

... if something is only used because it looks the most professional in the absence of professionalism then I would call it a poser. However, if you look at the various threads here and at Leica User Forum and compare the amount of photos taken of BP MP and black-chrome M7 you might get my point. :);)

(No, I am not a professional. I use the M7 because of a) convenience of having AE and b) the more accurate shutter. BTW, I used to have a silver-chrome MP that spent more time at Leica to get the shutter working to specs than for taking photos ....)
 
Ron (Netherlands) said:
;. . . They make you think there is a 'quality plateau', nothing wrong with that in itself - it is good for Leica (and maybe Nikon like you say), and nothing wrong by thinking you will make better pictures with that...but you know it is only yourself thinking that . . . .
No, there IS a quality plateau. No-one is making me think that: anyone of average intelligence (or less) can work that our for himself/herself. How can it be otherwise? The only alternative is that all cameras are equally versatile and deliver equal quality, which is patently nonsense.

Up to the quality plateau --which varies with the photographer, the subject matter, and the kind of picture that is wanted -- a better camera will get you better pictures. Beyond that level it won't matter: all that matters is the photographer's skill.

Well, OK, there's one exception. If you want poor sharpness, vignetting, light leaks, the whole Holga/Diana experience, some cameras may be too good -- though arguably, that's just redefining 'quality'.

I'm damn sure I get better pictures of more things under more kinds of different light with my MP than I would with (let's say) an Ilford Sporti 4. Could I get equally good pics with other cameras? Yes, some. Indeed, better with others, if I go to medium or large format. Could I get them as easily with (say) my Exakta Varex IIa? Possibly, but certainly not as easily -- and like many people, I find I can hold just about any RF/DV camera steadier than an SLR.

I see that your signature lists "Leica: Urleica, IIa synch conversion, M2, M6 TTL Millenium, M8.2". Why? If they all take equally good pictures, and no better than a Holga, why don't you just stick with a Holga? Or better still, a Lubitel (cheaper)?

Cheers,

R.
 
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