handful of bees
Newbie
Hasselblad 500C/M, 80mm Planar, Portra



Bingley
Veteran
Lisbon, 903 SWC, Delta 3200 at 1600
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I love this.
Bingley
Veteran
Rolleiflex Automat MX-EVS, Tri-X @ iso 800 in Diafine, yellow filter:

Benz by bingley0522, on Flickr

Benz by bingley0522, on Flickr
gcap
Giovanni C.
CTAPbIU_XPEH_RUSSIA
Established
Salyut, Vega-28, Fuji Provia 100
Salyut, Zodiak-8, Portra 160 NC

Salyut, Zodiak-8, Portra 160 NC

hamradio
Well-known
Mamiya RZ67, 90/3.5.
Mamiya Super 23, 100/3.5, oops.

Mamiya Super 23, 100/3.5, oops.

1337
Skitographer
A lovely angle of Fenway. Great shot
rhl-oregon
Cameras Guitars Wonders
rhl-oregon
Cameras Guitars Wonders
Johnmcd
Well-known
Two from Krakow - Acros 100 in Rodinal


semrich
Well-known
Mamiya 7II, 43/4.5
Delta 100
Delta 100

mretina
Well-known
Plaubel Makina 67, Portra 400

Plaubel Makina 67, Ayas di mraposio, su Flickr

Plaubel Makina 67, Ayas di mraposio, su Flickr

Plaubel Makina 67, Ayas di mraposio, su Flickr

Plaubel Makina 67, Ayas di mraposio, su Flickr
Demodres
Established
Mamyia 645 Super - Kodak TMax 400 and Kodak 100 Portra..I love my Mamiya
1

Mamiya 645 Super. Kodak 400 TMax. Hanoi_ by DemoDres, on Flickr
2

Mamiya 645 Super. Kodak 400 TMax. Hanoi_-3 by DemoDres, on Flickr
3

Mamiya 645 Super. Kodak 400 TMax. Hanoi_-4 by DemoDres, on Flickr
4

Mamiya 645 Super. Kodak 400 TMax. Hanoi_-6 by DemoDres, on Flickr
5

Mamiya 645 Super. Kodak 100 Portra. Hanoi_-7 by DemoDres, on Flickr
6

Mamiya 645 Super. Kodak 100 Portra. Hanoi_-6 by DemoDres, on Flickr
7

Mamiya 645 Super. Kodak 100 Portra. Hanoi_-4 by DemoDres, on Flickr
1

Mamiya 645 Super. Kodak 400 TMax. Hanoi_ by DemoDres, on Flickr
2

Mamiya 645 Super. Kodak 400 TMax. Hanoi_-3 by DemoDres, on Flickr
3

Mamiya 645 Super. Kodak 400 TMax. Hanoi_-4 by DemoDres, on Flickr
4

Mamiya 645 Super. Kodak 400 TMax. Hanoi_-6 by DemoDres, on Flickr
5

Mamiya 645 Super. Kodak 100 Portra. Hanoi_-7 by DemoDres, on Flickr
6

Mamiya 645 Super. Kodak 100 Portra. Hanoi_-6 by DemoDres, on Flickr
7

Mamiya 645 Super. Kodak 100 Portra. Hanoi_-4 by DemoDres, on Flickr
mfogiel
Veteran
jcrutcher
Veteran
Hasselblad 500, 80mm Planar, 160 Portra

Hasselblad 500 c-m 80mm planar, portra 160.jpg by rootbeer2004, on Flickr

Hasselblad 500 c-m 80mm planar, portra 160.jpg by rootbeer2004, on Flickr
5:00 PM
It's a light machine
Above Down Under
Above Down Under
Tongariro National Park, New Zealand
Fuji GA645Wi, Velvia 50
Above Down Under
Tongariro National Park, New Zealand
Fuji GA645Wi, Velvia 50
Argenticien
Dave
Wow what a beautiful photo! It's as if when Velvia was invented 20+ years ago, Fuji had that lake specifically in mind for it. How did you accomplish this?!
I've been loathing the cost and the length of the flight(s) to get to NZ from eastern USA, but every pic like this chips away at my trepidation. I think resistance may be futile...
--Dave
I've been loathing the cost and the length of the flight(s) to get to NZ from eastern USA, but every pic like this chips away at my trepidation. I think resistance may be futile...
--Dave
Tongariro National Park, New Zealand
Fuji GA645Wi, Velvia 50
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5:00 PM
It's a light machine
Dave, you definitely won't regret a trip to NZ; the endless blue skies alone are worth the flight time. These shots were taken from an ancient Cessna 206 with old hazy windows; I'm actually surprised to have ended up with anything useable. The lake shot is a very small part of the frame...
sem
Registered User
Dave, you definitely won't regret a trip to NZ; the endless blue skies alone are worth the flight time. These shots were taken from an ancient Cessna 206 with old hazy windows; I'm actually surprised to have ended up with anything useable. The lake shot is a very small part of the frame...
Thanks for sharing it. Very nice.
Best
Argenticien
Dave
[...]These shots were taken from an ancient Cessna 206 with old hazy windows; I'm actually surprised to have ended up with anything useable. [...]
Definitely that worked well; the haze does not seem visible at all to me, and in fact that's why I asked how you did it. It seemed not to be through a window, but it looked a high enough altitude that you'd not have wanted to dangle your head and the camera out an open window even if it were a plane where that was possible. And it's a good job you brought medium format; I suspect that on 35 mm, that tight crop might have started to show considerable grain when enlarged/scanned, even with Velvia. The retained part of the frame would have been almost like a 110 negative.
--Dave
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