Pictures taken with Zeiss glass

[1936ContaxII]

Vario-Sonnar T* 35-135mm f/3.3-4.5 at 135mm, wide open, Kodak Ektachrome 100D, skylight filter KR 1.5, Contax RTS II



The opposite, contrast-wise: uncoated 1936 Sonnar 50mm f/2, wide open, Fomapan R100 slide, Contax IIa (Dresden railway station, Germany)



Zeiss Opton Sonnar 135mm f/4, Fomapan R100 slide, orange filter, Contax IIIa (Frauenkirche with Martin Luther, Dresden, Germany)



Jena Tessar 50mm f/2.8, Kodachrome 25, Exakta Varex VX (bridge over river Rhine in Dusseldorf, Germany, summer of 1985)

 

[EarlJam]

501CM, Kodak Gold 200, 80/2.8. A little morning golden-hour magic, just after last Halloween.

 

[Bingley]

Carl Zeiss Sonnar 150mm f4.0, Hasselblad 500cm, TMax 400 in Ilfotec DDX:

Evening surf by Steve Macfarlane, on Flickr

 

[Bingley]

Carl Zeiss Tessar 75mm f3.5, Rolleiflex Automat MX EVS, TMax 400 in Perceptol:

Anglers, Lake Sabrina by Steve Macfarlane, on Flickr

Same lens, camera, film:

Purisima Creek Trail by Steve Macfarlane, on Flickr

Rolleiflex Automat MX EVS, Carl Zeiss Tessar 75mm f3.5, Portra 400:

Morning, Pillar Point by Steve Macfarlane, on Flickr

 

[underlord]

Queen Square, Liverpool by Philip McAllister, on Flickr

 

[underlord]

Axe & Bow Saw by Philip McAllister, on Flickr

 

[Richard G]

Zeiss ZM 28 f2.8 Biogon at f8 on M9.

 

[Out to Lunch]

Leica SL2S - Zeiss Biogon 2.8/28 ZM.

 

[p.giannakis]

Rolleicord Ia - Zeiss Triotar 75f/4.5
Fomapan 100 in HC110