_larky
Well-known
Nice work.. I can't decide which one I like best. You certainly use off horizonal/vertical to creative advantage. Now, how do I get my X100 to take such good photos? Let;s see.. it does have a fully auto setting.
Auto!!! Never.
bwcolor
Veteran
Yellow * Green * PINK! Carnival 2011 San Francisco
Yellow * Green * PINK! Carnival 2011 San Francisco
Yellow * Green * PINK! Carnival 2011 San Francisco

Keith
The best camera is one that still works!
Shot from my X100 before it died and went to Fuji heaven. 

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Richard G
Veteran
This one is great Keith. Very sorry yours is kaput, but total failure is better for the return. Hope the replacement is a gem.
Jamie Pillers
Skeptic
Black and white images here
Black and white images here
Simon..., OlliL, and Benjie:
Your B&W images are stunning. I'm curious... were these straight our of the camera, using the "monochrome" setting? Or did you post-process them? If so, what software did you use? Thanks.
Jamie
Black and white images here
Simon..., OlliL, and Benjie:
Your B&W images are stunning. I'm curious... were these straight our of the camera, using the "monochrome" setting? Or did you post-process them? If so, what software did you use? Thanks.
Jamie
bwcolor
Veteran
Gary, is this one straight from the camera without PS-type (saturation, replace color, etc.) manipulation?/
No.. I wanted strong colors.
Shot RAW only and then lots of manipulation in AP3.0. Increased saturation and vibrance and then worked on blown highlights and shadows. Every shot had blown highlights using matrix metering pre adjustment. That light was brutal.
DanK
Member
Simon,
Wonderful portrait. Great detail and expression
Koven:
Great composition!
gilpen
LOL, I love this shot.
Kuvvy, I love the lighting and sense of space. The second one has a very 1930's cinema lighting feel. Fantastic.
Benjie,
Great sense of intimacy and caring. Very well done.
Some shots I have captured over the past month. I love the stealthiness this camera affords. Silent mode is my favorite. I have missed shooting with a "rangefinderish" camera for a while. The high ISO capabilities have exceeded my expectations but the hit or miss focusing has been a greater let down in low light, even with the AF assist. Quirks aside, I have been loving to shoot with it. I hope the manual focus slow issue can be resolved.

Bed time by danklar, on Flickr

Livy on the farm by danklar, on Flickr

Jaks big smile by danklar, on Flickr

Jak in green 1 by danklar, on Flickr

Paul by danklar, on Flickr
Love the Pano feature,

TZ Bridge Pano by danklar, on Flickr
No Post work on this one, straight out of the camera. Need to get rid of the ghost cars.
Full Version: http://farm6.static.flickr.com/5270/5693342527_b8ffa396ab_o.jpg
Wonderful portrait. Great detail and expression
Koven:
Great composition!
gilpen
LOL, I love this shot.
Kuvvy, I love the lighting and sense of space. The second one has a very 1930's cinema lighting feel. Fantastic.
Benjie,
Great sense of intimacy and caring. Very well done.
Some shots I have captured over the past month. I love the stealthiness this camera affords. Silent mode is my favorite. I have missed shooting with a "rangefinderish" camera for a while. The high ISO capabilities have exceeded my expectations but the hit or miss focusing has been a greater let down in low light, even with the AF assist. Quirks aside, I have been loving to shoot with it. I hope the manual focus slow issue can be resolved.

Bed time by danklar, on Flickr

Livy on the farm by danklar, on Flickr

Jaks big smile by danklar, on Flickr

Jak in green 1 by danklar, on Flickr

Paul by danklar, on Flickr
Love the Pano feature,

TZ Bridge Pano by danklar, on Flickr
No Post work on this one, straight out of the camera. Need to get rid of the ghost cars.
Full Version: http://farm6.static.flickr.com/5270/5693342527_b8ffa396ab_o.jpg
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Richard G
Veteran

Melbourne by Richard GM2, on Flickr
(Crop)

Hoddle Street by Richard GM2, on Flickr

Southern Cross by Richard GM2, on Flickr
Wasn't sure what was happening with the exposure so took it down from the window...

Melbourne by Richard GM2, on Flickr
Laurence
Established
The Olympic rain forests are intrinsically very difficult to ascertain any
kind of decent composition. The detail in the landscape is an overlaod
on the brain, and it becomes (for me) a true challenge of where the hell
to point the camera! Mad
I decided that instead of trying to simplify, an almost impossible task,
that I would just go ahead and compose directly onto the "jungle" and
let things fall where they may.
This terrain was very broad and flat, with an area of several square
kilometers, so I used compass bearings to keep in touch with where
the nearest trail was. That trail would take me back to my car.
Traveling North-Northeast
Compass Bearing 93 East
kind of decent composition. The detail in the landscape is an overlaod
on the brain, and it becomes (for me) a true challenge of where the hell
to point the camera! Mad
I decided that instead of trying to simplify, an almost impossible task,
that I would just go ahead and compose directly onto the "jungle" and
let things fall where they may.
This terrain was very broad and flat, with an area of several square
kilometers, so I used compass bearings to keep in touch with where
the nearest trail was. That trail would take me back to my car.
Traveling North-Northeast
Compass Bearing 93 East

Richard G
Veteran
Velvia setting? I hope you have an EPRB in that sort of terrain. Beautiful panorama.
SimonSawSunlight
Simon Fabel
Simon..., OlliL, and Benjie:
Your B&W images are stunning. I'm curious... were these straight our of the camera, using the "monochrome" setting? Or did you post-process them? If so, what software did you use? Thanks.
Jamie
silver efex. digital black and white is just so much more complicated and time-consuming than film.
greyelm
Malcolm
gilpen123
Gil
GMcD
Established
greyelm
Malcolm
_larky
Well-known
bwcolor
Veteran
EI: 3200 & Noise Ninja
EI: 3200 & Noise Ninja
EI: 3200 & Noise Ninja


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Jamie Pillers
Skeptic
It really is amazing how well it does at those high ISOs!
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