d__b
Well-known
What is that little window on the top right of the lens mount for?
Godfrey,
Thanks for the dimension/weight comparison between the new SL and old SL. That does make me feel a little better about the size of the body. The lenses still look kinda large. But, I have begun to view this as a possible home for R lenses. Wonder if it would "couple" with them giving us the old expected behavior with the aperture, meter, and viewfinder composition without the open-up and stop-down gyrations?
Vodka cures all ills.
What is that little window on the top right of the lens mount for?
I agree. I don't care what others think. It's a gorgeous machine 🙂I love this. I think it's beautiful and truly a step forward for full sized DSLRs. I would absolutely love one to pair with my x-t1/fuji system.
I'm intrigued by the size of the viewfinder. But the size of the 50 renders that moot.
This is probably the kind of camera you look at and make faces at, but then reluctantly pick up and find you warm to it. As I did with the R8. But, the price is the negative kind of fantastic, it's only half the resolution of a 5d, D810, or A7something, and by the time there is a decent lens range available, the subsequent Sony will have whatever features you like in the Leica, plus some, and at less than half the price.
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The real size:
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I agree. I don't care what others think. It's a gorgeous machine 🙂
I guess my dozen Leica R lenses constitute 'unavailable' lenses? Or the three-four AF lenses for the T? Or however many S lenses are currently available?
All of these lens options are available already. Leica designed the SL to be compatible and work well with all their lenses because they value their customers' investment in the lenses.
There are more and higher quality lenses available for the SL already than are even planned for the Sony A7 line. Because Sony didn't engineer the A7 to work to its best with anything but their lenses designed for it.
G
S lenses, which require a long, heavy adapter and are generally in the $6-8,000 range.
M lenses? I consider the ones I regularly use equally good on both bodies. Yes, you'll need to stop down a bit for good corners on the A7rii, but isn't that what IBIS is for? being able to handhold at 4-10x longer shutter speeds means that you can either use slower lenses or lower ISOs.
R lenses, yes, but they benefit from IBIS too.
Not to mention that if you care about performance with wides...a 24mm summilux is $5500 post-discount...works well and balances well on the A7rii
Sure. So what? I don't own any, but I can rent them very easily if I need to. I suspect they'll image the same way other lenses of similar focal lengths image, and of course there are few ultra-wides in the right focal lengths for the 24x36mm format. They're not the only option.
I doubt you'll have to stop down at all with the SL. And yeah, it doesn't have IBIS. Neither does my M-P or D750, and neither did my A7. I couldn't bother using any of my M-mount wides on the A7 due to all the color shifting and other crud. There's a device called a Tripod ... Perhaps you've heard of it? ;-)
So what? My Leicaflex SL has been shooting with them for 44 years, and it could never be used with ISO 6400 film and get any quality out of the negatives. There's a device called a Tripod ...
I dunno. My Elmarit-R 19mm f/2.8 cost me $1200, my Elmar-M 24/3.8 cost me $1995, my Elmarit-R 24/2.8 cost me $320 ... I really don't need a Summilux-M 24mm f/1.4 ASPH as far as I can tell, and all three of these fine performing lenses cost me less than your discounted Summilux-M 24mm. Tell me why I should buy that fast and expensive a lens when "I care about performance" and I'm normally shooting at f/5.6 to f/11 with wides?
Silly stuff, YYV_146. You're making up cases that you find unappealing to not liking a camera that you don't want anyway. I'm suggesting the possibilities that exist for using that camera, since it seems to have just what I've been wanting for a while now.
G
Lots of hypotheticals here, but the main point is that you can't usually prepare for all the cases. I have a tripod if I know for sure that I'll need it. But sometimes I don't. IBIS is beyond valuable for slow sync, which I use all the time for night events. You can't very well plant down a tripod for every shot.
The R lenses are fine, but reality is that a $1,000 modern, digitally optimized zoom can handily outperform all three and only be marginally larger. A large distagon 35mm F1.4 most surely outperforms my Summilux FLE. Buying into a system for the optics is getting much less important - I can go to any brand and get generally nice, reliable lenses. If we're talking about the experience of using manual lenses...well, the price tag is pretty high for the same nice aperture ring.
Yes, and secondly, there's a light sensor there, just like the one on the front of the digital-M cameras, to aid in estimating the aperture set on lenses that don't have an electrical connection to the body... M and R lenses, that is.The autofocus assist beam.
M lenses? I consider the ones I regularly use equally good on both bodies. Yes, you'll need to stop down a bit for good corners on the A7rii, but isn't that what IBIS is for?.