Chris101
summicronia
By the way (and I didn't see it stated here - apologies if it is) Ilford Multigrade IV is grade 2 if unfiltered with a new bulb in a "standard" condenser enlarger.
if you use 8x10 paper in the pinhole - you get a negative image. You can print to a positive by making it a "paper negative"
If you use 8x10 sheet film you get a negative, that you can then contact print on paper to a positive (nice because it's already easily reproducible).
If you are enlarging color slides, you have to use reversal paper and processing (cibachrome, fuji type R, etc.) Which you could theoretically use in the pinhole, but the processing is a pain in the ass to do on a small scale unless you're already set up for color lab work.
Expose a piece of paper in a view camera in place of the film. Experiment to find the ISO, it will be near 6. Develop it normally, it will be a 'paper negative'. Then place a piece of unexposed paper against the paper exposed in the camera, emulsion to emulsion, and expose it to white light through the paper negative. Then develop the second paper, it will be a positive.How to you print from a positive by making a "paper negative"?
Expose a piece of paper in a view camera in place of the film. Experiment to find the ISO, it will be near 6. Develop it normally, it will be a 'paper negative'. Then place a piece of unexposed paper against the paper exposed in the camera, emulsion to emulsion, and expose it to white light through the paper negative. Then develop the second paper, it will be a positive.
It was a common practice for Mexican street portraitists of the mid-20th century, to have a box attached to their field cameras that they could use paper negatives to make positive prints in a matter of minutes, right on scene.
Who needed Polaroid!
I had no idea that this was possible. I guess there is no enlarging to a bigger size with paper negatives.
But won't the final print still be horizontally flipped backwards?
No enlarging - it's a contact print. But those can be awesome.
No - it's not still flipped. Since you're doing an emulsion to emulsion print, you end up flipping it back.
Make sure the paper you use doesn't have a printed watermark on the back of the paper. Or it will end up being a print element in the finals.
You might try 24 exposure rolls, it will mean more developments. Therefore, more learning: quicker. Thin, slim, wide angle filters are just thinner as not to give interference with a full frame image taken with a wide or very wide lens. I went to see 'Gran Torino' this afternoon and I thought of you. If you are old enough go see it. But be thinking about your photography and how we learn from experience.